Documentary

Also known as The Epic Of Gorgan Village Boy, is a modern-day epic that attempts to retrace the true circumstances of a heroic act in the north-Iranian countryside. One rainy night near the village of Gorgan, a schoolboy discovered that the heavy rains had washed away the soil underneath a section of railroad tracks. He proceeded to stop an oncoming train by lighting his coat on fire, standing on the tracks and waving it. Doing so, the schoolboy prevented a terrible railroad accident. Incorporating newspaper reports and interviews with railroad employees, the governor, the chief of police, the village teacher, students and villagers, Shirdel describes the events, or better, the divergent recollections of them. The skilfully and cyclically edited footage is riddled with contradictions. How could this young hero have set fire to his coat in the pouring rain? Did he even exist? According to one toothless old man, “It’s all just a pack of lies.”Read More »

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A documentary on the history of garlic. Blank interviews chefs, garlic lovers, and historians about the their love of the ‘stinking rose.’

From lesblank.com:
Garlic is as Good as Ten Mothers (1980)

A zesty paean of praise to the greater glories of garlic. This lip-smacking foray into the history, consumption, cultivation and culinary/curative powers of the stinking rose features chef Alice Waters of Chez Panisse, and a flavorful musical soundtrack.

The SF Chronicle called this paean to garlic “a joyous, nose-tweaking, ear-tingling, mouth-watering tribute to a Life Force.” Nothing less than a hymn to the stinking rose of the kitchen, this lovingly photographed documentary is an odyssey of garlic feasts alternated with uniquely individual interviews of garlic afficionados. Not only does the film promote garlic as our first line of defense against all forms of blandness; it also titillates the taste buds with shots of garlic dishes sizzling in their pans. Les Blank shows again that he knows how to have a good time and share it on film – especially if it involves food!Read More »

Very funny documentary by Dayton filmmaker Jim Van Bebber about two hard-core weed addicts who operate heavy machinery and actually believe they do a better job if they’re totally stoned by the time they get to work, get stoned again at lunch time, and spend every night drinking beer and doing more dope. At the factory where they work, Van Bebber interviews little old ladies who go on and on about what “good kids” they are and how great their work is. The two stars are Bill, a guy who got kicked out of the Marines for doing dope steadily for six years (I’m not gonna do it forever–or maybe I will, who knows?) and Barry, a forklift-driving doper who wins the Employee of the Month plaque while stoned (Live for yourself– live today and then worry about tomorrow when it gets here– that’s the way I go). – Joe Bob BriggsRead More »

Our world is about to change. Academics believe that within 40 years humans will be having sex with robots and even falling in love and marrying their android companions. In this extraordinary shock-doc, meet three robot fetishists who talk openly and for the first time about their passion for fembots and the inventors vying to bring them the world’s first sex robot.Read More »

Oscar-winning director Errol Morris presents his most provocative and sexiest film yet. In the late 1970s, Miss Wyoming Joyce McKinney became a tabloid staple when she kidnapped her former beau, a Mormon missionary named Kirk Anderson, and tied him to a bed to deprogram his religious beliefs by having nonstop sex with him. Morris (The Fog of War, The Thin Blue Line) follows the salacious adventures of this beauty queen with an IQ of 168 whose single-minded devotion to the man of her dreams led her across the globe, into jail and onto the front page. Funny, strange and disturbing, Tabloid is a vivid portrait of obsession, delusion and scandal sheet notoriety.Read More »

A small village located on the shores of the White Sea, 2008. In Northern Russia.

While winter has shrouded everything in the glacial night of the North, a few hours of light per day seep in on the eve of Easter in the village of Soumskiy Pozad, around a thousand kilometers to the north of Saint-Petersburg, in the province of Karelia. Connected to the rest of the country by a vague muddy road and a piece of railroad, the village experiences a suspended and mysterious time. The film is about the Russia of unending forests and potato fields. A few robust and intransigent people live peacefully, in no hurry by pressing needs. Two small girls have just been adopted by a family. The woman is sweet and soft-spoken, whereas the man is hot-tempered. It is Chekov’s Russia: still happy, yet torn apart, and cold.
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from all movie:
Slavoj Zizek is that rarity, an internationally famous philosopher, and one who has built a career out of telling his audience things they probably don’t want to hear. Embracing a world view that blends Marxism with the teachings of Jacques Lacan, Zizek’s work obsesses on how capitalism affects the way we think and function in our society, and how this is reflected in everything from pop psychology to plumbing. Zizek’s writings have won him a sizable following in the United States, and he’s been described as an “academic rock star” in Europe, where his lectures frequently attract sell-out crowds.Read More »

An interesting documentary on Renoir’s Regle du Jeu. From the series Image Par Image. Told entirely in images from the film, no talking heads. With optional English subtitles.Read More »

Re-view 1: Memories of a Hyperstitional Practitioner
A review of a Chris Marker ‘event’? One is never enough. Not only because Chris Marker is, as we were told this weekend more than once, more than one. But also because re-viewing, seeing again, looking back is so integral to the Marker experience.
Chris Marker is a systematic con-fuser of fact and fiction, best known for La Jetee (1962) and Sans Soleil (1982), explorations of time, memory, images and revolution (terms whose contiguity – and near synonymy – is a consistent theme of his work). The form that Marker perfected in the rightly celebrated Sans Soleil has been called the ‘film-essay’, though this does little justice to the astonishing singularity of his theory-fictional time-travelogues, which conjoin politics, pop culture and ethnography in a breathtakingly lyrical but intellectually clear-eyed plane of consistency.
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