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Horizon: Eat, Fast and Live Longer
Michael Mosley has set himself a truly ambitious goal: he wants to live longer, stay younger and lose weight in the bargain. And he wants to make as few changes to his life as possible along the way. He discovers the powerful new science behind the ancient idea of fasting, and he thinks he’s found a way of doing it that still allows him to enjoy his food. Michael tests out the science of fasting on himself – with life-changing results.
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1957. A remote village in Erzincan province, Eastern Turkey. The quest of four villagers to travel to the moon is documented with the use of found black-and-white photos and the aid of a local narrator. A wide range of established Turkish intellectuals offer their views of the events that took place in 1957. And the film curiously becomes an in-depth study of contemporary Turkish culture.Read More »
From IMDb :
Animals/People: Along the rhythm of the changing seasons they watch one another. Bestiary unfolds like a filmed picture book about mutual observation, about peculiar perception. A contemplation of a stable imbalance, and of lose, tranquil and indefinable elements.
From www.berlinale.de (Berlin Film Festival) :
A drawing course, a safari park and a taxidermist’s workshop: three settings in which humans and animals meet. The focus of observation is on relationships of sight and perception, which often reflect unequal power structures at the same time. In the process, the film also seems to be considering the question of how animals can be filmed.
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A subjective documentary that explores the numerous theories about the hidden meanings withinStanley Kubrick’s film The Shining (1980). The film may be over 30 years old but it continues to inspire debate, speculation, and mystery. Five very different points of view are illuminated through voice over, film clips, animation and dramatic reenactments. Together they’ll draw the audience into a new maze, one with endless detours and dead ends, many ways in, but no way out.Read More »
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The first two-thirds of the 55 minute video is a selection of activist/art-activist videos produced by Voina: several acts against the police and the Russian state, both violent (turning over cop cars, setting fires) and prankish (staging a protest concert during a courtroom hearing, women activists kissing female police officers, painting a giant penis on a drawbridge facing the old KGB building), as well as more narrative or conceptual videos, including Pussy Riot’s Orthodox church musical intervention / music video and the disturbing integration of children of group members into their protests and art.Read More »
Da zdravstvuyet Meksika! AKA ¡Que viva Mexico!
Having revolutionized film editing through such masterworks of montage as Potemkin and Strike, Soviet director Sergei Eisenstein emigrated west in hopes of testing the capabilities of the American film industry. Quickly ostracized from Hollywood, Eisenstein, Grigory Alexandrov and photographer Eduard Tisse (at the urging of author Upton Sinclair) wandered south of the border where they began filming a highly stylized documentary on the people and volatile social climate of Mexico. Unfortunately, a lack of funds prohibited the film’s completion and the famed director was unable to edit the film. In 1979, by referring to Eisenstein’s extensive notes and sketches, Alexandrov assembled the most definitive version of the film; as close to Eisenstein’s vision as one is ever likely to see.Read More »
On the 15th of August 2005, Israel began the Disengagement of the Gaza Strip. In a unilateral move decided on by the Israeli government, the Jewish settlers were removed from their homes and villages.
After years of confrontation with the Palestinians, the Israeli army has earned a reputation for firmness. For the first time, it is being forced to turn its iron fist against a Jewish population. This film tracks the key events of the Disengagement over the course of five days.
This human mosaic will tell the story of the Disengagement from very different perspectives; they provide the narrative of an Israeli society in all its complexity, confronting a unique historical moment.Read More »
Chicago Reader wrote:
Chantal Akerman’s haunting 1993 masterpiece documents without commentary or dialogue her several-months-long trip from east Germany to Moscow–a tough and formally rigorous inventory of what the former Soviet bloc looks and feels like today. Akerman’s painterly penchant for finding Edward Hopper wherever she goes has never been more obvious; this travelogue seemingly offers vistas any alert tourist could find yet delivers a series of images and sounds that are impossible to shake later: the countless tracking shots, the sense of people forever waiting, the rare occurrence of a plaintive offscreen violin over an otherwise densely ambient sound track, static glimpses of roadside sites and domestic interiors, the periphery of an outdoor rock concert, a heavy Moscow snowfall, a crowded terminal where weary people and baggage are huddled together like so many dropped handkerchiefs. The only other film I know that imparts such a vivid sense of being somewhere is the Egyptian section of Straub-Huillet’s Too Early, Too Late. Everyone goes to movies in search of events, but the extraordinary events in Akerman’s sorrowful, intractable film are the shots themselves–the everyday recorded by a powerful artist with an acute eye and ear.Read More »
