Documentary

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“I survived because they liked my paintings,” says Vann Nath in this unsettling documentary, an affecting and effective film. This placid artist was imprisoned along with 17,000 other Cambodians in a Phnom Penh high school that had been converted into a Khmer Rouge interrogation and torture center. The school was used for this purpose for two years during the Khmer Rouge reign of terror (1975 to 1979), when as many as a million people died. In the film, he returns there to confront the men who worked as guards, really boys doing the Devil’s work: at the time, they ranged from 13 to their early 20’s. At one point the director shows the former guards recreating their grisly everyday tasks as a kind of pantomime. Watching them re-enact their chores in the large, stained and now empty rooms, which look like those in almost any American high school – while piles of the dead prisoners’ abandoned clothes sit heaped nearby – is simply one of the most disorienting moments you’re likely to encounter in a movie. – Elvis MitchellRead More »

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Spanning fifty-three movies and forty-one editions of the Olympic Games, 100 Years of Olympic Films: 1912–2012 is the culmination of a monumental, award-winning archival project encompassing dozens of new restorations by the International Olympic Committee. The documentaries collected here cast a cinematic eye on some of the most iconic moments in the history of modern sports, spotlighting athletes who embody the Olympic motto of “Faster, Higher, Stronger”: Jesse Owens shattering world records on the track in 1936 Berlin, Jean-Claude Killy dominating the Grenoble slopes in 1968, Joan Benoit breaking away to win the Games’ first women’s marathon in Los Angeles in 1984.Read More »

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Périot’s inspired third feature invites French high school students to reenact key scenes from RESUMPTION OF WORK AT THE WONDER FACTORY, WITH THE BLOOD OF OTHERS, Godard’s LA CHINOISE and other 1960s and 70s films which deal with radical politics. These reenactments are intercut with discussions that explore what, if anything, the subjects of these scenes mean to the students now. Both a lesson in film history and a snapshot of the political present, this smart and subtle film proposes an original perspective on the contemporary state of French cinema’s radical past.Read More »

Three successful black siblings from Harlem discover their heritage by searching for clues about their long-lost Chinese grandfather, Samuel Lowe.

Retired NBC Universal executive Paula Williams Madison and her brothers, Elrick and Howard Williams, were raised in Harlem by their Chinese Jamaican mother, Nell Vera Lowe. Nell encouraged them to realize the rags-to-riches American dream, resulting in their growth from welfare recipients to wealthy entrepreneurs. In order to fulfill a promise to their mother to connect to her estranged father’s people, they embark on a journey to uncover their ancestral roots.Read More »

One of the greatest if all-too-often overlooked landscape films in American cinema, Larry Gottheim’s HORIZONS displays a sensitivity to the seasons that seems more in keeping with Henry David Thoreau’s “Walden” than the typical nature documentary. HORIZONS was not only Gottheim’s first feature-length work, it was also his first film to deploy rhythmic editing after several single-shot works. Working with Virgil’s four-part poem “Georgics” and Antonio Vivaldi’s concertos “The Four Seasons” as models, Gottheim arranged his painterly compositions into four distinct sections, each edited according to its own exacting pattern. The seasonal flux thus informs both the form and content of the image, with the basic elements of trees, sky, hills and the occasional crisscrossing clothesline filmed in every imaginable light. The resulting work is at once rigorous and meditative: a film that demands repeated viewings but captures the eye from the first. – Max GoldbergRead More »

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When this epic series was first broadcast in 1973 it redefined the gold standard for television documentary; it remains the benchmark by which all factual programming must judge itself.

Originally shown as 26 one-hour programmes, The World at War set out to tell the story of the Second World War through the testimony of key participants. The result is a unique and unrepeatable event, since many of the eyewitnesses captured on film did not have long left to live. Each hour-long programme is carefully structured to focus on a key theme or campaign, from the rise of Nazi Germany to Hitler’s downfall and the onset of the Cold War.Read More »

In January 1990, at the age of 33, the artist José Leonilson starts registering an intimate journal in a tape recorder. His views on events that shook both Brazil, such as the resignation of former president Collor, and overseas, such as the fall of the Berlin Wall, permeate his confessions. He also talks about his impressions on the various movies he used to watch. The records of this sensitive artist in tune with modern life did not intend, at first, anything more than register the harmony that existed between his life and his peculiar and intimate work. However, J.L. suffers the unexpected blow of the discovery that he himself is HIV positive. The uncertainty and urgency in his life begin to permeate his reports.Read More »

Synopsis
A document of one of the most famous 66 miles of railroad track in the world including the Tehachapi Loop.

Review
After his 2007 RR, filmmaker James Benning set his camera up by the railroad again. This time, instead of observing various types of trains, he watches trains passing the 66-mile railroad from Bakersfield to Mojave. The endless train tracks look as if the trains were transporting us to somewhere. Watching the tracks, we gaze at the moment of trains passing through the track. We also find the heritage from the past, cargo trains, reminding us of scenes from classic western movies that today’s cinema almost forgot. From Bakersfield to Mojave forms a delightful contrast with On Paradise Road, which was exclusively filmed inside the house during the shutdown. Showing us the wild and vast nature of the United States, it delivers us some sense of freedom in this moment where nobody is really allowed to travel freely around the world.Read More »

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This short film is only thirteen minutes long, but it is a razor-sharp depiction of civilization pushing out Europe’s last wilderness in Northern Sweden. The white man is hunting ptarmigan, enormous exer-tions are being expended, watercourses are running dry and forests are being devastated. Thirteen minutes about a world in change. But un-fortunately not for the better.
stefanjarl.comRead More »