The streets of our cities are haunted by the ghosts of those who were young here long ago. In memory we recall our own past happiness and pain. Terence Davies, whose subject has often been his own life, now turns to his city, Liverpool, England, and regrets not so much the joys of his youth as those he did not have. Central to these are the sexual experiences forbidden by the Catholic Church to which he was most devoted.Read More »
A “Polityka” weekly journalist Marta Wesolowska and photo-reporter Erazm Ciolek visit Urszula Flis, who runs a country farm. A young woman living on her own, Flis is an untypical villager in that she is interested in culture, corresponds with writers, etc. Lozinski revisits her twenty-four years later, in 1998, in ZEBY NIE BOLALO [SO IT DOESN’T HURT]. Awards: 1975 – “Syrenka Warszawska” Award of the Polish Journalists Association’s Film Critics Club at the 5TH SHORT FILM FESTIWAL, Krakow.Read More »
In the early sixties, Vera Chytilova and Milos Forman were follow students at the Prague film school. Both were part of the Czech New Wave. Then Forman went to live and work in Hollywood, his colleague remaining in Europe.
The two had not been seen each other for ten years when they meet again for this portrait. The confrontational aspect is stressed by the title, after all their two careers could not be more different. Forman became one of the Hollywood Greats, whereas his compatriot aimed for something more subtle, closer to the cinema of discovery and experimentation. It is this clash between two often diametrically opposed filmic conceptions which here takes centre stage.Read More »
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At the invitation of Limosin and Bergala, Kiyoshi Kurosawa rediscovers his own films, first during the shooting of his French film in Paris and then in Tokyo. From his first militant films in Super 8 to his undisputed masterpieces, the Japanese director confides his obsessions, his repulsions, his delightfully heterogeneous tastes as a cinephile, his pleasures and fears as a filmmaker.Read More »
Chittagong is a seaport in southern Bangladesh that has become the center of a thriving industry in the Third World — breaking up old and obsolete ships and selling the scrap metal, usually to construction firms.Read More »
Archaeologists have been excavating a ring of mounds surrounding a central plaza within a territory currently known as the State of Acre, Brazil. They transition from field to laboratory, interpreting how the land was constructed, what patterns were employed in settlement land use, and the composition of the anthropogenic earth that remains.Read More »
On the death of his mother, a filmmaker makes a film to see how much her disappearance has changed his vision of the world. It is an opportunity for him to look back over his relationship with her: a relationship that made him a free individual, as a man and as a filmmaker. The second night is the final part of a trilogy that began with Letter from a filmmaker to his daughter, which was followed by Dreaming films. The making of this ” Cabin Trilogy” is the fruit of fifteen years of work and reflection.Read More »
This is the first feature-length documentary on legendary director Raoul Walsh. In this ‘memoir,’ Walsh ‘recounts’ his career from the silent film era to the tumultuous 1960s. The documentary makes stunning use of rare, personal and production photos and footage, revealing Walsh’s extraordinary, adventurous life on and off the set. From his apprenticeship with D.W. Griffith to his discovery of John Wayne and Rock Hudson, from the innovative ‘The Thief of Bagdad’ (1924) to the widescreen ‘The Big Trail’ (1930), from his classic work with Cagney, Bogart and Flynn to his mastery of every genre (musicals, comedies, Westerns, gangster, war), Walsh made Hollywood history. His life is nothing less than the story of Hollywood itself. Here’s a full-bodied account of one of Hollywood’s greatest legends.Read More »
“Belovy (the Belovs)” is a breathtaking portrait of a troubled peasant family. It’s poetry in the form of a documentary that won many prizes. Beautifully shot in vintage black and white, the film tells the story of two times widow Anna Belova who lives together with her brother Mikhail. Blending the two personalities, Kosakovsky characterizes the true Russian soul: she is the rational worker, honest and strong – he is the drunken poet, the idealist, his philosophy fades into radical nonsense time after time. Kosakovsky ingeniously knows to cut between a noisy quarrel and a hedgehog drinking in the early morning sun. The two seem to live alone in the world until two other brothers come to visit. They wonder if there is a measure for misery, they quarrel, take a steam-bath and go skinny- dipping in a nearby river. The film displays the grief and joy of Anna who lives with her stoic brother and two kids who don’t seem to make any progress. Magnificent- typically Russian- photography reminds one of Tarkovsky when we closely examine the bark of a tree while we hear Anna cry over a letter she writes to a son far far away.Read More »