Posters and photos from the Weimar Republic serve as starting points for passing on the history of the first German republic and the reasons for its failure to future generations.Read More »
Documentary
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Haro Senft – Plakate der Weimarer Republik aka Posters of the Weimar Republic (1962)
1961-1970DocumentaryGermanyHaro SenftShort FilmWeimar Republic cinema -
Hogir Hirori – Sabaya (2021)
2021-2030DocumentaryHogir HiroriSwedenFilm follows a group into Syria’s Al-Hol, a dangerous camp in the Middle East, as they risk their lives to save a women being held by ISIS as abducted sex slaves.Read More »
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Coni Beeson – Freedom on the Inside (1974)
1971-1980Coni BeesonDocumentaryShort FilmUSA -
Lourdes Portillo & Susana Blaustein Muñoz – Las madres de la Plaza de Mayo AKA The Mothers of Plaza De Mayo (1985)
1981-1990ArgentinaDocumentaryLourdes PortilloPoliticsSusana Blaustein MuñozQuote:
This Academy award-nominated documentary about the Argentinian mothers’ movement to demand to know the fate of 30,000 “disappeared” sons and daughters remains as extraordinarily powerful as when it was first released. As well as giving an understanding of Argentinian history in the ‘70s and ‘80s, LAS MADRES shows the empowerment of women in a society where women are expected to be silent. LAS MADRES provides a banner of hope in the international struggle for human rights.Read More » -
Joel DeMott – Demon Lover Diary (1980)
1971-1980CultDocumentaryJoel DeMottThe Female GazeUSAReview
In the Fall of 1975, cameraman Jeff Kreines was hired to shoot a silly little horror romp called DEMON LOVER in the middle of Michigan, and his female pal Joel DeMott joined him on the trip, documenting this adventure into no-budget filmmaking with her own handy camera. Her ragged footage was later lashed together into this legendary documentary, which has finally been snuck onto video. The father of modern hits such as AMERICAN MOVIE, it’s an insightful, funny and scary peek into the making of an indie fright flick and its delusional, self-taught filmmakers.Read More » -
Patricio Guzmán – Mi país imaginario AKA My Imaginary Country (2022)
2021-2030ChileDocumentaryPatricio GuzmánPoliticsProtests that exploded onto the streets of Chile’s capital of Santiago in 2019 as the population demanded more democracy and social equality around education, healthcare and job opportunities.Read More »
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Carine Bijlsma – Devil’s Pie AKA Devil’s Pie: D’Angelo (2019)
Documentary2011-2020Carine BijlsmaUSADevil’s Pie is a psychological drama in the (musical) universe of D’Angelo. The film tells the story of a great musical talent who returns into the public arena after 14 years of absence in destruction. While we discover his musical vision and talents, the documentary tells the story of a man who is stuck between fears and dreams. It’s about the price of fame, the loneliness of an artist and the pressure of the music industry.Read More »
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Mariama Hima – Baabu Banza (rien ne se jette) (1985)
1981-1990DocumentaryMariama HimaNigerShort FilmIn a district of Niamey, in Niger, craftsmen and consumers save all that is possible and “make new with the old.”Read More »
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Michel Khleifi & Eyal Sivan – Route 181: Fragments of a Journey in Palestine-Israel (2003)
Documentary2001-2010BelgiumEyal SivanMichel KhleifiPolitics

Plot
Route 181, Fragments of a Journey in Palestine-Israel takes a fresh look at the inhabitants of Palestine-Israel. For two months in the summer of 2002, two film-makers, the Israeli Eyal Sivan and the Palestinian Michel Khleifi, travelled together through Palestine-Israel from north to south, tracing a map of routes they called Route 181, following the imaginary frontier of Resolution 181 adopted by the United Nations on 29 November 1947, which provided for the partition of Palestine into two states, one Jewish and the other Arab. Fifty-five years later Eyal Sivan and Michel Khleifi give men and women, Israelis and Palestinians, young and old, civilians and military, anonymous people living their everyday lives, a chance to talk about those lives, their experiences, their situation, their particular memory and their personal understanding of what is going on around them. All of them, found by chance in the course of Sivan and Khleifi’s journey, have their own way of looking at the frontiers that separate them from their neighbours: concrete, barbed wire, cynicism, indifference, mistrust, aggression.
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