Concentration Face features live performances filmed while on tour in Japan by the band Hella.
Concentration Face (DVD)
“Part I” – 60:26
Tokyo 5/3
Osaka 5/4
Kyoto 5/5
Nagoya 5/6
“Part II” – 60:33
Tokyo 5/7 (Entire Show)Read More »
Concentration Face features live performances filmed while on tour in Japan by the band Hella.
Concentration Face (DVD)
“Part I” – 60:26
Tokyo 5/3
Osaka 5/4
Kyoto 5/5
Nagoya 5/6
“Part II” – 60:33
Tokyo 5/7 (Entire Show)Read More »
China is currently marked by a phase of rapidly growing urbanization. The film in this context deals with two particular cities. Yum en a derelict ghost town and Or dos a mythic city of the future, both are deserted. They exist because of completely different reasons. The film shows through impressive images how these two cities and the relation of inhabitants to these cities are developing in China in times of urban growth.Read More »
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In 1975 Nina Shivdasani Rovshen (aka Nina Sugati SR), made Chhatrabhang – the first Indian film to win the International Fipresci critics award. This 80 min 35mm colour film was shot by AK Bir over a period of 2 weeks, and edited over 1 year by the filmmaker herself. The film was made within Rs 2 lakhs and has rarely been screened in India. Based on a true story, Chhatrabhang explores caste dynamics in a drought stricken village in rural India. This complex film transforms a 3 line news report into a lyrical feature film about the trauma of dilemma, and the processes involved in resolve, change and reform.Read More »
On retrouve dans ce film le va-et-vient entre l’intime et le monde, entre le vrai et le faux dans ces passionnants Nuages américains, journal de Morder qui couvre la période de l’été 1982 au 1er janvier 1983. Le film se divise en deux parties : la première retrace son voyage aux Etats-Unis où le cinéaste est censé retrouver un ami avec qui il va rompre et une seconde, française, où il évoque une rencontre avec un autre garçon.Read More »
Part of DVD release Die “Oberhausener” – Provokation der Wirklichkeit (Provoking Reality)
Edition Filmmuseum 69Read More »
PLOT: Nicolas Klotz and Elisabeth Perceval’s works break down the boundaries between countries, languages and genres. Their new film mixes documentary, acting, dance and song to counteract a “politics of tracking” and advocate a radical change of approach. From the story, of a Brazzaville slave who must follow his master into death, to that of a Senegalese exile who finds himself reincarnated in Barcelona, to the trance of the Bela Vista carnival. When the House Burns Down is a visual poem that celebrates the collective dimension of life.Read More »
I diari di Angela – Noi due cineasti. Capitolo secondo recounts in the first place our private lives, revealing what we went through while the movies we were making–on the violence of war, on colonialism and fascism—took shape. The film draws on the writings of soldiers, the wounded and prisoners of war. The passages describe some of the battle sites and the boundaries of the Austro-Hungarian Empire, and show us the face and the acute gaze of Freya Stark at Asolo, as well as reminding us of the unmistakable voice of Walter Chiari in Soviet Armenia. In those years at the same time as the Trilogia della guerra we were working on a large installation called La marcia dell’uomo. Read More »
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A tour of the Hotel des Invalides, and more particularly of the Army Museum and the Saint Louis Chapel. From François I’s armor to Guynemer’s airplane, to Napoleon’s and Marshall Foch’s tombs. But this is no ordinary tour,it is rather a chilling visit guided by Georges Franju and narrated by Michel Simon emphasizing – at times through biting humor -not the glory but the nonsense of wars, but their tragic aftermath.Read More »
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Every day of her life, Angela kept a diary, filled with words and drawings, in which she recorded public and private matters, meetings, things she had read, everything. Including the account of two trips to Russia (1989-90). The period of the collapse of the USSR. A diary that she had been keeping in small Chinese notebooks, since before Dal Polo all’Equatore (1986), on our uninterrupted work on the violence of the 20th century. From our tours in the United States with the “scented films” of the late seventies to the Anthology Film Archive of New York and the Berkeley Pacific Film Archive… Now I reread these diaries and see again the film-diary of all those years. I am alone now, after many years of life and artistic work together.Read More »