Film adaptation of W.G. Sebald’s novel “Austerlitz”, directed by the Czech-born French director Stan Neumann and starring Denis Lavant as Jacques Austerlitz, the film is described as “not so much a filmed book as it is a film about a book, breaking down the walls that divide documentary and fiction, just as Sebald blurred the lines between the two in his writing”.Read More »
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Julio García Espinosa (5 September 1926 – 13 April 2016) was a Cuban film director and screenwriter. He directed fourteen films between 1955 and 1998. His 1967 film The Adventures of Juan Quin Quin was entered into the 5th Moscow International Film Festival.Read More »
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In 2002, a group of young students at Northwestern University discover an abnormal number of flaws (confessions extracted under torture, false testimony, etc.) in trials having led to death sentences in Illinois. 13 prisoners on death row are then acquitted after their cases are reviewed. The Republican governor George Ryan, a former supporter of the death penalty, finds himself facing a dilemma a few months before leaving office: ignore this report, or fight to extensively reform the system while making an enemy of his political party. To make his decision, he orders hearings for pleas for mercy for the more than 160 prisoners who are sentenced to death in this state. Katy Chevigny and Kirsten Johnson film these hearings and interview convicts and capital punishment legal experts. By highlighting the flaws of a profoundly racist, sexist and classist judiciary system, Deadline dares to put its finger on the irreconcilable divergences regarding the death penalty, combined here in the figure of a governor holding the power of life or death.Read More »
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The new work by the gifted Gustavo Fontán (El árbol, La madre, La casa) concerns a man sailing alone on the Parana River. That is until he reaches an island and shares some time with his father, a woman, and some kids. And nature itself, the lead character in all its blossoming. Shot in Super 8, 16 mm, and video, El rostro is a beautifully refined, melancholic sensorial experience that successfully defies the boundaries of narrative cinema; a poetic meditation on moods, longings and absences.Read More »
A documentary about the development of sound in motion pictures. The period covered extends from the mid-19th century until the release of The Jazz Singer. The English version is narrated by Leonard Maltin.Read More »
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For his directing début, Oleg Kovalov chose a very extravagant experiment. As a basis he took a propaganda film from the fifties, The Case of Corporal Kochetkov, dissected this as it were and gave the naked structure a new substance and new accents by re-cutting the shots and adding documentary material from the fifties, such as newsreel footage of Khrushchev’s visit to America and pictures of the visit by Yves Montand and Simone Signoret to Moscow. The film about corporal Kochetkov called on the Soviet citizens to be on their guard and showed how sly the enemy was: for instance it could pose as an innocent girl. Kovalov creams off the emotional froth from this melodrama, deconstructs its codes and subjects it to a thoughtful analysis. For instance he reveals paranoia and spy-phobia, complexes in the ‘collective Soviet unconscious’ that is still active even in relatively enlightened periods.Read More »
Details the early attempts, what worked, or why it didn’t, in the history of adding partial or full colour to films. Includes early film clips to illustrate how most tries appeared to audiences.Read More »
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The voices and the remembrances of May Shigenobu and Masao Adachi – the two characters of Baudelaire’s Super 8mm documentary – are presented onto the backdrop of images with different sources. From the panoramic depiction of Tokyo and Beirut, to found footage material from TV clips and films, The anabasis of May and Fusako Shigenobu presents itself as a contemporary Fukei Ron, a theoretical reflection on Japanese Landscape.Read More »
