Documentary

A 6-year-old Tibetan boy leaves his family and flees to a refugee camp in northern India.Read More »

Russian journalist and human rights activist Anna Politkovskaya was killed in Moscow in October, 2006. In 2004, she had written: “Society has shown limitless apathy… We are hurtling back into a Soviet abyss, into an information vacuum that spells death from our own ignorance.” and of her own pessimism: “the ‘optimistic’ forecast… is the death sentence for our grandchildren.” [Putin’s Russia (2004)]Read More »

Quote:
Director Yashaswini Raghunandan has a perceptive sense of humour. Her film That Cloud Never Left opens with a title card that reads, “This is a work of fiction. Only people, places, and the work are real. For the rest, any resemblance to anything that might have actually happened or dreamt of is purely co-incidental.”Read More »

A portrait of Łódź, Poland that exists in a time warp of sad memory. Hutton creates an empty world evoking the 19th century industrial atmosphere that is populated with the ghosts of Poland’s tragic past.Read More »

PLOT: Irene Rakowitz, aged 48, is a divorced mother of four, who lives with her two youngest children in West Berlin’s Märkisches Viertel public housing district, surviving on disability payments. Her ex-husband, a former miner, lives in the same high-rise. But loud and abrasive conflict persists regarding his ongoing influence on the children. The older daughters are hateful and judgmental of their mother, calling her a ‘crackpot’. Irene Rakowitz holds nothing back as she talks about why her family is falling apart, while at the same time expressing, sometimes vehemently, her own ambitions, in front of the camera and again during the editing process, throughout which she is associated.Read More »

Synopsis
Filmmaker Karima Saïdi’s mother has Alzheimer’s. Now, they turn their thoughts back in time together, for one last time. A poetic portrait of a complex mother-daughter relationship, renewed acquaintance, and a loving farewell.When filmmaker Karima Saïdi’s mother Aïcha develops Alzheimer’s at the end of her life, Karima decides to make a film portrait of her at her Brussels care home. Before oblivion descends for good. Aïcha is becoming increasingly confused, and Karima takes her on mental journey back into her past. The filmmaker uses Aïcha’s stories and a wide range of family archive material to create an impression of Aïcha’s life. We start with her youth in Morocco, are shown how her husband brought her from Tangiers to Belgium, and how she later went on to raise her children as a single mother.Read More »

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Inspired by Thorndike’s similar East German films,
this is a carefully researched, professionally executed
indictment of the West German government bureaucracy,
proving that many of its members — individually shown
and identified — had served in the same capacity under
the Nazis. A barrage of official documents, incriminating
photographs and Nazi newsreels substantiate the argument.Read More »

Directed by Ian Thuillier this film is a portrait of the late lamented musician Rory Gallagher, it investigates the timeless qualities of the ‘gentleman’, his music and the unique approach of this authentic guitar hero. His contribution to rock music has had a significant impact on both musicians and music fans around the world, despite his untimely death at the age of 47. The film features rare tracks from Rory’s formative years with his first band, Taste, and through his 25 year solo career as he single-handedly spearheaded the Irish rock movement, blazing a trail for other Irish rock bands including Thin Lizzy, U2, etc. With featured contributions from those who knew him best; Donal Gallagher (his brother and manager), Bill Wyman, Cameron Crowe, and his former band members to those who he inspired to become music greats themselves; The Edge, Johnny Marr, Slash.Read More »

ძველი ქართული სიმღერა
PLOT: Under the premise of documenting for the sake of preservation the various forms of Georgian religious chanting, a distinct kind of sonorous psalmody passed over from generation to generation, what Otar Iosseliani captures in reality is the snapshot of a not-so-distant past that coexists with the world we might know yet transports us to what used to be.Read More »