Crime

Quote:
Alan Clarke first released Scum in 1977 as a BBC TV-film, yet the BBC disapproved of the film due to the amount of raw, harrowing realism which had been packed into a short running-time. Therefore the BBC banned the version, and it was not until fifteen years later that the TV-version was aired on the UK’s Channel 4. Though, to get around not being able to release the TV version of Scum Alan Clarke opted in for developing a remade, feature-length version to be aired at cinemas, this was released in 1979. The film sent shockwaves through cinemas across Britain, causing huge controversy from the media, government and British public. Some people saw the film as a “visceral image of a flawed system”, while others saw the film as “exploitive trash in the form of a documentary”.Read More »

Review
“Detour” is a movie so filled with imperfections that it would not earn the director a passing grade in film school. This movie from Hollywood’s poverty row, shot in six days, filled with technical errors and ham-handed narrative, starring a man who can only pout and a woman who can only sneer, should have faded from sight soon after it was released in 1945. And yet it lives on, haunting and creepy, an embodiment of the guilty soul of film noir. No one who has seen it has easily forgotten it.Read More »

Quote:
The bitch is called Maria and she is a sweet child. She has no father and does not like her mother. She has a boyfriend who is a bandit who would like to change his class.

There are two more bandits: a very tall singer and a guy from Oporto who is a very short and a full of life’s experiences. Neither of these two do much thinking, one even less than the other.Read More »

Gena is under no illusions about his situation. In the prologue of the film, he briefly sketches out his life in a monotone voiceover: growing up without parents, receiving an “education” from his criminal uncle, initial protection money rackets in the wake of privatizations in the crumbling Soviet Union, later international drug dealing. His enemies are numerous but not easy to recognize; “life is short, the greater part of it already over”. Although there is only a small chance that Gena will be able to trade in his nomadic existence between Asia and Europe for a “normal life”, he takes the plunge anyway. A frantic chase across Europe thus ensues. Heading west, presumably towards the sun.Read More »

Review Summary
The title Life Love Death (originally La Vie, L’amour, la Mort) pretty much runs the gamut of the subject matter which normally appeals to French filmmaker Claude Lelouch. Awaiting execution for murder, Souad Amidou reflects on the events leading up to this sorry contingency. It seems that Amidou can only cohabit with prostitutes, thus he seeks out satisfaction in all the side streets of Europe. Disturbed by a whore’s insults when he was unable to perform, Amidou goes completely off the deep end and begins cutting a swath of death from one end of Spain to another. Lelouch’s principal stylistic decision in Life Love and Death is to draw as many parallels as possible between sex and bullfighting. ~ Hal Erickson, All Movie GuideRead More »

Raoul Walsh had just come off The Birth of a Nation both as one of Griffith’s assistant directors and as an actor (most prominently as John Wilkes Booth), when he made this film. In his autobiography, Walsh credits Griffith with “teaching” him not only about much of the art of fiction filmmaking, but also about production management technics that aided him in taking full advantage of many of New York City’s most pictorial exterior locations. The locations play an important role in adding to the naturalism of an otherwise highly melodramatic plot with the high society young woman turned heroine social worker (much overplayed by a major star of the 1910s, Anna Q Nilsson) and the regeneration of the one-time Lower Manhatan gang leader. The wonder of this film is the performance of the male “star”, Rockliffe Fellowes, who played in over a dozen nearly unremembered films until he died in 1950. His performance is so subtly varied and electrically alive that one is reminded of Brando in his early 1950s films.Read More »

Plot Synopsis by Mark Deming
In this caper comedy, Duffy (James Coburn) is a shaggy bohemian living in Tangiers who is approached for a less-than-legal business proposition by two half-brothers, carefree Stephane Calvert (James Fox) and stuffy businessman Antony Calvert (John Alderton). Though Stephane and Antony had different mothers, they share the same father, and they both hate him; Charles Calvert (James Mason) is a mean-spirited multi-millionaire who shows his sons little affection and isn’t very interested in cutting them in for the family fortune. Charles plans to transport several million dollars in banknotes by ship from Tangiers to Marseilles, and the brothers want Duffy to help them liberate the money from the ship. While the Calvert Brothers are persuasive, Stephane’s beautiful girlfriend Segolene (Suzannah York) is even more so, and Duffy finds that he not only wants to steal the cash from Charles, but the girl away from Stephane. Duffy was scripted by Donald Cammell, who gained a cult reputation for his first directorial effort, the Mick Jagger vehicle Performance.Read More »

Plot / Synopsis
In the star’s final big screen role, Yul Brynner plays Peter Marciani, a former mob assassin who comes out of retirement to track down the man who killed his brother, but he finds that the murder was only a trap set for him by an underworld kingpin in Italy.
Enjoy this rare eurocrime co-starring the gorgeous Barbara Bouchet!Read More »

Synopsis:
Several men and women make their way to a large mansion as guests. They relax for a while, then get down to the business that they are there for. A rich man called Boris has died and left a fortune of diamonds in a huge safe. Someone pulls a lever and the steel casket rises from a pool in the garden. Each of the guests has a key, and the safe can only be opened when all keys are used. However, one of the guests for the life of him can’t find his key. The angry guests suspicions are centered towards Janine, but even a strip search reveals nothing. Everyone mopes around until the early hours of the morning, getting more and more stressed. The guy who lost his key is so distraught that he loses control completely, and falls from the building to his death.Read More »