Amidst a backdrop of growing violence and intimidation, independent cab drivers struggling against a consolidated juggernaut rally around hot-tempered Matt Nolan. Nolan is determined to keep competition alive on the streets, even if it means losing the woman he loves.Read More »
Crime
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Roy Del Ruth – Taxi! (1932)
1931-1940CrimeDramaRoy Del RuthUSA -
W.S. Van Dyke – Guilty Hands (1931)
1931-1940ClassicsCrimeUSAW.S. Van Dyke
Starring: Lionel Barrymore, Madge Evans, Kay Francis, C. Aubrey Smith, Polly Moran, Alan Mowbry
Richard Grant (Barrymore) is a successful lawyer who believes that his many years of dealing with crime has taught him how to commit the perfect murder. He’s working for shady cad Gordon Rich (Mowbry) who informs Grant before a dinner party that he intends to marry his daughter, Barbara (Evans). Grant seethes with anger and, after dinner, kills Rich. It’s almost the perfect crime, but Rich’s troubled mistress Marjorie (Francis), becomes suspicious of Grant.Read More »
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Frédéric Balekdjian – Mon père, Francis le Belge (2010)
2001-2010CrimeDramaFranceFrédéric BalekdjianFrancis Vanverberghe, aka “Francis le Belge”, was shot to death in September 2000 in a bar on the Champs Elysées. An old relic of the French Connection, his death sealed the faith of the french organized crime. He was a pimp, a drug smuggler and a multifaceted man risking his life and those of others every day, until the last day. Through his daugther’s eyes, this film reveals the man behind the myth. A female look into a world where women don’t belong…Read More »
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Richard Boleslawski – Fugitive Lovers (1934)
1931-1940ComedyCrimeRichard BoleslawskiUSALetterboxed wrote:
In a hopeful effort to evade gangster Legs Caffey, chorus girl Letty Morris hops a bus in New York bound for Los Angeles–with Legs close on her heels. Along the way the bus picks up escaped convict Paul Porter, who quickly allies himself with Letty. With the police in hot pursuit and Legs monitoring his every move with Letty, Paul is running out of both time and ideas.Read More » -
Larry Cohen – Q (1982)
1981-1990CrimeHorrorLarry CohenUSAQuote:
NYPD detectives Shepard and Powell are working on a bizarre case of a ritualistic Aztec murder. Meanwhile, something big is attacking people of New York and only greedy small time crook Jimmy Quinn knows where its lair is.Read More » -
Joe Martin – Us and Them (2017)
2011-2020CrimeDramaJoe MartinUnited KingdomQuote:
Angry and frustrated, working class Danny aims to kick start a revolution by turning the tables on the establishment with a deadly game of chance.Read More » -
Arvids Krievs – Fotografija ar sievieti un mezakuili (1987)
1981-1990Arvids KrievsCrimeUSSR

Quote:
A young photographer Dimda is shot in the open courtyard surrounded by high-rise buildings who lived there in a communal apartment. Murder investigation at the same time is also becoming a psychological research.Read More » -
Sam Peckinpah – The Getaway (1972)
1971-1980ActionCrimeSam PeckinpahUSA

As a monetary rater of movies, you can tell that I have leanings. My film studies background is rooted in films noir and gritty westerns and at heart, The Getaway is a pulp crime drama with a southwestern flavor. Of course I love it; there’s a heist, a duel, a shootout, a con and every other genre staple that I’ve written about before (not to mention it played a pivotal role in my graduating thesis). It’s true that these details ingratiate the film to me, but it’s also true that The Getaway is a fantastic film. It’s a Steve McQueen movie, after all! That alone makes it a classic and worth watching.Read More »
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John Gilling – The Flesh and the Fiends AKA Mania [+commentary] (1960)
1951-1960CrimeHorrorJohn GillingUnited KingdomMania is the venerable Burke and Hare story, previously cinematized by producer Val Lewton as The Body Snatcher. Peter Cushing plays a respectable 19th-century Edinburgh doctor who needs fresh cadavers in order to continue his crucial research. Since the exhuming of bodies for medical purposes is illegal, Lee must rely upon grave-robbers George Rose and Donald Pleasance for his corpse supply. What Lee doesn’t know is that Rose and Pleasance frequently cut out the middleman by “creating” their own corpses. The good doctor catches on when the latest cadaver turns out to be his own fiancee. Its excessively violent climax has prevented Mania from being shown completely intact on commercial television.Read More »





