Francis Vanverberghe, aka “Francis le Belge”, was shot to death in September 2000 in a bar on the Champs Elysées. An old relic of the French Connection, his death sealed the faith of the french organized crime. He was a pimp, a drug smuggler and a multifaceted man risking his life and those of others every day, until the last day. Through his daugther’s eyes, this film reveals the man behind the myth. A female look into a world where women don’t belong…Read More »
Letterboxed wrote:
In a hopeful effort to evade gangster Legs Caffey, chorus girl Letty Morris hops a bus in New York bound for Los Angeles–with Legs close on her heels. Along the way the bus picks up escaped convict Paul Porter, who quickly allies himself with Letty. With the police in hot pursuit and Legs monitoring his every move with Letty, Paul is running out of both time and ideas.Read More »
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NYPD detectives Shepard and Powell are working on a bizarre case of a ritualistic Aztec murder. Meanwhile, something big is attacking people of New York and only greedy small time crook Jimmy Quinn knows where its lair is.Read More »
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Angry and frustrated, working class Danny aims to kick start a revolution by turning the tables on the establishment with a deadly game of chance.Read More »
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A young photographer Dimda is shot in the open courtyard surrounded by high-rise buildings who lived there in a communal apartment. Murder investigation at the same time is also becoming a psychological research.Read More »
As a monetary rater of movies, you can tell that I have leanings. My film studies background is rooted in films noir and gritty westerns and at heart, The Getaway is a pulp crime drama with a southwestern flavor. Of course I love it; there’s a heist, a duel, a shootout, a con and every other genre staple that I’ve written about before (not to mention it played a pivotal role in my graduating thesis). It’s true that these details ingratiate the film to me, but it’s also true that The Getaway is a fantastic film. It’s a Steve McQueen movie, after all! That alone makes it a classic and worth watching.Read More »
Mania is the venerable Burke and Hare story, previously cinematized by producer Val Lewton as The Body Snatcher. Peter Cushing plays a respectable 19th-century Edinburgh doctor who needs fresh cadavers in order to continue his crucial research. Since the exhuming of bodies for medical purposes is illegal, Lee must rely upon grave-robbers George Rose and Donald Pleasance for his corpse supply. What Lee doesn’t know is that Rose and Pleasance frequently cut out the middleman by “creating” their own corpses. The good doctor catches on when the latest cadaver turns out to be his own fiancee. Its excessively violent climax has prevented Mania from being shown completely intact on commercial television.Read More »
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The Suburra quarter in ancient Rome was the quarter populated by taverns and brothels, where noble senators met with criminals in secret to do business and make money. Two thousand years later, not much seems to have changed in the Italian capital, politics and criminality continue to do business and the real world is governed by laws drawn up by corrupt politicians, through brokers without scruples in the shadow of an ambivalent Vatican. These were the findings of a recent judicial inquiry by the name of Mafia Capitale, which has now been brought to the big screen by Stefano Sollima’s new film, Suburra, at a time when Rome has just seen the resignation of its mayor, and is being plagued by ungovernability and the chaos of the upcoming Jubilee.Read More »
