Comedy

  • Ernst Lubitsch – Kohlhiesels Töchter AKA Kohlhiesel’s Daughters (1920)

    Comedy1911-1920Ernst LubitschGermanySilent
    Kohlhiesels Töchter (1920)

    Somewhere in Southern Bavaria Xaver wants to marry Gretel, but her father Kohlhiesel wants his elder daughter Liesel to marry first. The problem is, nobody wants to marry her, because she’s too brutal. Seppel suggests, that he should marry Liesel first, get rid of her and then he can marry Gretel…Read More »

  • Peter Weir – The Plumber (1979)

    1971-1980AustraliaComedyPeter WeirThriller

    Weir made this plumber-from-hell telemovie directly after Picnic at Hanging Rock. Although feeling somewhat like an extended short film that pushes the limits of credibility when stretched into a longer narrative format (would anyone really put up with a plumber this bad, assuming that a plumber could be this bad) it is for the most part diverting thanks to the performances of Judy Morris as the stay-at-home wife and particularly Ivor Kants as the plumber and Weir’s skill (he also penned the script) in keeping us guessing as to where the story is going or even in a Hitchcock-like way, what kind of film we are watching, thriller, horror or comedy. Less convincing are the scenes with Robert Coleby as the over-preoccupied husband and university dork but at least stylistically they have a naïve charm. As a side interest the film also manifests Weir’s preoccupation with the primitive/civilized opposition and of course, water. – BHRead More »

  • Lina Wertmüller – Pasqualino Settebellezze aka Seven Beauties (1975)

    Drama1971-1980ComedyItalyLina Wertmüller

    Lina Wertmüller’s harrowing 1976 film stars Giancarlo Giannini as a petty crook with seven unattractive sisters to support, and it features a picaresque, World War II-era journey through a prison asylum, army service, and a Nazi concentration camp. Wertmüller is more indulgent in highbrow sadomasochism than she is real profundity, but there’s no denying that the film is powerful in its story of subjugation and survival. A climactic scene in which Giannini saves his skin at the camp by seducing its disgusting female commandant is unnervingly honest. Giannini became a ’70s international icon partially on the basis of this work.Read More »

  • Daniel Sánchez Arévalo – Gordos AKA Fat People (2009)

    Drama2001-2010ComedyDaniel Sánchez ArévaloSpain
    Gordos (2009)

    A group of overweight people attend therapy sessions in an attempt to solve their weight and emotional problems.

    “GORDOS” is a comedy about life’s excesses and deficiencies; about our insecurities, phobias, obsessions, traumas, mistakes, fears, blame, desires, hopes, challenges, concessions, goals, relationships, love, sex, health, family… about survival in the widest and “largest” sense of the word.Read More »

  • Yasujirô Ozu – Wasei kenka tomodachi (1929)

    Comedy1921-1930JapanShort FilmYasujiro Ozu
    Wasei kenka tomodachi (1929)

    A more than pleasant, funny and touching short(ened) burlesque comedy of young Y. Ozu.
    Two friends provide shelter to an orphan girl they have accidentally knocked down.Read More »

  • Carlos Sorin – El perro AKA Bombón: El Perro AKA Bombon The Dog (2004)

    2001-2010ArgentinaCarlos SorínComedyDrama

    Quote:
    In Patagonia, a mechanic who dreams of a different life starts to think big after his adopted pup wins first prize at a local dog show.Read More »

  • Svatopluk Innemann – Milenky starého kriminálníka (1927)

    1921-1930ComedyCzech RepublicSilentSvatopluk Innemann

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    Synopsis:Factory owner Pardon, meets Olga, daughter of clairvoyant Stefanie Lesczynska at a ball. Their brief acquaintance is interrupted when Olga and her mother have to leave. Fifi Hrazánková has her sights set on the elligible Pardon. Pardon asks his Uncle Cyril Ponděliček if the girl could take over his position at work so that she may be dissuaded of her amorous intentions. Fifi seduces Pondělíček. In the meantime, Pardon meets Olga and Stefanie again by chance and offers them a place to stay at Ponděliček’s while Pondělíček passes himself off as Pardon. Ponděliček recognises Stefanie as his former lover, Olga is their daughter. Stefanie also recognises him, but Pondělíček declares that he is the thief named Kanibal whom the newspapers are all writing about. He locks Pardon, Stefanie and Olga in the cellar and, together with Fifi, he escapes. In the inn they happen to come across the real Kanibal who is being pursued by the police. The police mistakenly arrest Pondělíček. Pardon explains to the Police who Pondělíček really is. The real Kanibal is then apprehended. Pondělíček then marries Stefanie and they wish their daughter luck with the factory owner, Pardon. Fifi is thus finally cured of her romantic notions.Read More »

  • Guy Maddin – The Saddest Music in the World (2003)

    2001-2010CanadaComedyGuy MaddinMusical

    It’s the winter of 1933 in Winnipeg. In honor of Winnipeg being named the sorrow capital of the world for the Depression era for the fourth year running by the London Times, Lady Helen Port-Huntley, the legless owner of Winnipeg’s Port-Huntley Beer, is hosting and judging a contest to see which nation has the saddest music in the world, the winner to take home a $25,000 prize. Seeing as to the current Prohibition in the United States, Lady Port-Huntley has ulterior motives for the contest. Father and son, streetcar conductor Fyodor Kent and New York based musical producer Chester Kent, who both have a past connection to Lady Port-Huntley (Fyodor, a WWI veteran and former doctor, has fashioned for her an unusual pair of artificial legs apropos to her business), want to represent Canada and the United States respectively in the contest.Read More »

  • Jules Dassin – Topkapi (1964)

    1961-1970ComedyCrimeJules DassinTurkeyUSA

    David Cornelius wrote:
    “Nine years after helping define the heist movie with the 1955 masterpiece “Rififi,” director Jules Dassin took another go at the genre, this time with a comedy. “Topkapi” is a lighter, breezier affair than Dassin’s earlier picture, but it’s in no way weaker or less memorable. In fact, it’s this movie that served as the inspiration for the classic TV series “Mission: Impossible,” and yes, it’s this film’s most memorable sequence that was, um, “borrowed” for the most memorable sequence of the 1996 “Impossible” movie.Read More »

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