Comedy

Plot Synopsis by Hal Erickson
How could anyone dislike a film with the title Lady and the Mob? Sweet Fay Bainter stars as eccentric dowager Hattie Leonard, who takes it upon herself to smash a dry-cleaning racket. When the crooks and the cops laugh at her efforts, the resourceful Hattie sets about to organize her own mob, consisting of such soft-hearted yeggs as Warren Hymer and Joe Sawyer. With the help of her Runyonesque stooges-not to mention her grandson Jeff (Lee Bowman) and his sweetheart Lila (Ida Lupino)-Hattie manages to strike a blow for The American Way, bringing the villains to their knees. The supporting cast includes the ineffable Henry Armetta and versatile radio actor Tommy Mack, of “I’m not excited! WHO’S excited?” fame.Read More »

Mustafaa is a high school philosophy teacher whose life is turned upside down when the landlord decides to raise his rent. When he fails to pay the new rent, he moves to a cheap dilapidated room on the roof of the building, which had been abandoned after being occupied for many years by a black magician. Mostafaa begins his own journey with black magic when he falsely claims an ability to communicate with spirits and demons, and becomes rich and famous working as a fortune teller. However, getting arrested as a charlatan puts his ‘magic powers’ to the ultimate test. Directed by Ali Abd Elkhaik and starring the well known Egyptian actor Ahmed Zaki.Read More »

One of classics of the Soviet cinema and the most popular film of the Soviet era.

A soldier of the Red Army named Sukhov has been fighting in the Russian Civil War in Russian Asia for many years. Just as he is about to return home to his wife, Sukhov is chosen to guard and protect the harem of a guerilla leader (Abdulla). Abdulla is wanted by the Red Army and left his harem behind because the women hindered him. Sukhov’s task proves to be more difficult than he imagined…
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Quote:
Allison is a “square” good girl who has decided she wants to be bad and falls hard for Cry-Baby Walker, a Greaser (or “Drape” in John Waters parlance). Spoofing Elvis movies and Juvenile Delinquency scare films of the ’50s, this movie follows the adventures of Cry-Baby who, though he is sent to juvie, is determined to cross class (and taste) boundaries to get Allison back.Read More »

There is a lot to admire about this pointed modern-day political satire, but you’ll have to get over a few hurdles. One of them is the unnecessary length, another is the distracting use of a circular frame – a device that references Chinese art and hints at its heroine’s constrained plight, but often makes the viewer feel as if they’re peering through a keyhole.Read More »

Criterion wrote:
A celebration of cinema’s centennial, One Hundred and One Nights finds Agnès Varda at her most playful. It is also perhaps her unlikeliest project: a star-studded comic fantasy with an extravagant sense of style and an adoring but slightly off-kilter perspective on the magic of filmmaking. French New Wave icon Michel Simon is a mysterious aging impresario named Simon Cinéma who has hired a young film student, Camille (Julie Gayet), to simply sit with him at his mansion and talk about movies. Skeptical yet increasingly enchanted, Camille bears witness to cinema itself coming to life, allowing Varda to wittily integrate a mind-boggling parade of appearances by screen legends (Catherine Deneuve, Marcello Mastroianni, Jean-Paul Belmondo, Anouk Aimée, Robert De Niro, and many others), and attest to the vigorous health of the movies at the close of the twentieth century.Read More »

Quotes :
An actor disguises himself as a soldier during the Second World War, but is mistaken for a soldier and becomes involved in the events of WWII.

Un comédien de troisième zone se déguise en officier Allemand pour les besoins de sa troupe de théâtre. Il est fait prisonnier par les soldats Américains le jour du Débarquement…Read More »

Quote:
A light-heartedly humorous take on post-war female emancipation, Carmen Comes Home is a fairly typical offering from Shochiku, a studio renowned at the time for its conservative output specialising predominantly in comedies and domestic dramas based firmly within the framework of the traditional Japanese family structure. Produced at a time when the company’s fortunes were still riding high, to celebrate their 30th anniversary studio head Shiro Kido (himself the subject of a retrospective at the Nederlands Filmmuseum in 1994) allowed director Keisuke Kinoshita to direct this light and breezy comedy drama in Fujicolor, and thus Japan’s first ever colour motion picture came to be made.Read More »

Plot:
THE LUCILLE BALL RKO COMEDY COLLECTION VOL. 1
Long before she was crowned the queen of TV, Lucille Ball reigned as the “Queen of the Bs” for RKO Pictures, appearing in over 43 films in under a decade. Although she had yet to find her niche, Lucy’s prodigious talents, grace and charm as a performer found her much in demand across a wide variety of movies. This collection brings together three rarely seen cinematic treasures from Lucy’s RKO days, giving modern audiences a chance to witness a star on the rise. 3 Films on 2 DVDs.Read More »