Olivier’s Hamlet is the Shakespeare film that has received the most prestigious accolades, winning the Academy Awards for Best Picture and Best Actor. However, it was poorly received by Shakespearean purists, who felt that Olivier had made too many alterations and excisions to the four-hour play by cutting nearly two hours worth of content.Read More »
Synopsis:
A distinguished English gentleman has a secret life–he is the notorious jewel thief the press has dubbed “The Amateur Cracksman”. When he meets a woman and falls in love he decides to “retire” from that life, but an old friend comes to him with a predicament that entails him committing one last job.Read More »
Synopsis:
Los Angeles aircraft worker Barry Kane evades arrest after he is unjustly accused of sabotage. Following leads, he travels across the country to New York City trying to clear his name by exposing a gang of fascist-supporting saboteurs led by apparently respectable Charles Tobin. Along the way, he involves Pat Martin, eventually preventing another major act of sabotage. They finally catch up with Frank Frye, the man who actually committed the act of sabotage at the aircraft factory.Read More »
Known as “Justice Is Done” in 1953 when it was first shown in the USA, it opens with a short briefing in English on the French jury system and then reverts to French with English subtitles. The Marshal summons the jury and an insight is given into the background of the seven jurors who are to decide on the guilt of the accused, a sick man’s mistress on trail for his mercy killing. The trial appears to be not presented to prove her innocence or guilt, but rather to let the court (film) philosophize on the moral acceptability of euthanasia.Read More »
Synopsis:
Amelie is a Cocotte (=a tart); she trades on her charms,abetted by her father who plays a role generally delegated to mothers (Gremillon’s “Gueule d’amour” or Allegret’s “Maneges” ). She is wooed by every Tom, Dick and Harry passing by. She’s currently supported by a military man, courted by a foreign prince – who gives the equivalent of the French Legion d’honneur to dad, – and, besides, she is to marry a young lad who covets his wealthy uncle’s heritage: the necessary and sufficient condition for getting the dough is getting married.Read More »
Visconti’s retelling of the Electra story starts with Sandra/Electra (Cardinale) returning to her ancestral home in Italy – and reviving an intimate involvement with her brother (Sorel) which troubles her naive American husband (Craig) – on the eve of an official ceremony commemorating the death of her Jewish father in a Nazi concentration camp. As ever with Visconti, he is ambivalently drawn to the decadent society he is ostensibly criticising; and Armando Nannuzzi’s camera lovingly caresses the creaking old mansion, set in a landscape of crumbling ruins, where the incestuous siblings determine to wreak revenge on the mother (Bell) and stepfather (Ricci) who supposedly denounced their father. Something like a Verdi opera without the music, the result may not quite achieve tragedy, but it looks marvellous. The title, culled from a poem by Leopardi, has been better rendered as ‘Twinkling Stars of the Bear’.Read More »
Synopsis:
Captain Henri Rochard is a French officer assigned to work with Lieut. Catherine Gates. Through a wacky series of misadventures, they fall in love and marry. When the war ends, Capt. Rochard tries to return to America with the other female war brides. Zany gender-confusing antics followRead More »
Synopsis:
At a family reunion, the Cooper clan find that their parents’ home is being foreclosed. “Temporarily,” Ma moves in with son George’s family, Pa with daughter Cora. But the parents are like sand in the gears of their middle-aged children’s well regulated households. Can the old folks take matters into their own hands?Read More »
Bad Girl hasn’t worn as well as some of his other romances. It opens with Dot (Sally Eilers) in an elegant wedding gown talking nervously to her ever-present friend Edna (Minna Gomball). When she sails out of the room, we realize that she’s modeling this wedding dress for lecherous male department store customers. This opening emphasizes Borzage’s indifference to matrimony, as does his decision to simply skip the wedding of his leads, Eilers’s sexy Dot and James Dunn’s rough-Irish Eddie. There’s some charm and poignancy in this couple’s constant wisecracking, especially when they sit on the stairs of her apartment house and ponder their future while a whole cavalcade of miserable humanity trudges up the stairs and yells out of their doors impatiently. And there’s a classic Borzage moment when Eddie playfully chases Dot around the room, gathers her up in his arms, and yanks her hat off…….Read More »