John Gruber is in his mid thirties, an egocentric, living life in the fast lane and sparing no expense. But all of a sudden he is thrown off track by a cancer diagnosis and by the person who unwillingly delivers the news: Sarah, a DJane from Berlin, who is not his type at all. Feelings just aren’t Gruber’s cup of tea and now, without having asked for them, he has more than ever before.
3 wins, 7 nominationsRead More »
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Dog Days is an incredible film, though what it has to offer will certainly not be appreciated by every viewer. This is not to be meant as condescending – I simply mean not everyone will enjoy Ulrich Seidl’s aesthetics which have more than a little in common with Von Trier’s Domga 95 movement. Though Seidl doesn’t explicitly articulate his aesthetics the way Von Trier does, it features the same sense of realism. The characters are mostly non-actors wearing their own clothes and without makeup (except where diegetically necessary). The acting is very raw with many scenes calling for displays of intense emotional pain. There is no non-diegetic music. The film is shot entirely with hand-held DV. The film is, however, very aesthetically appealing. There are many beautiful, sun-drenched compositions, even if all the characters are sweating!Read More »
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There is not much that Ruth Beckermann brings to her film: An empty former coffin factory, a few lights and reflectors, a camera, a piano and a huge rose-gold canapé in the style of the Belle Epoque, as well as the wickedly titled book – and, of course, above all, men. Lots and lots of men. Old, young, middle-aged. Bourgeois and civil servant types, pensioners and washed-up people of indeterminate age, students and “young professionals”, people who have lost their way and smart up-and-comers. In between, the former director of the Austrian Film Museum, an ex-bodybuilder or martial artist, a linnet and various other specimens of the male species.Read More »
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Das Notizbuch des Mr Pim is structured around competing and contradictory narratives. While notes taken during an interview with a right-wing journalist – a convenient device in a silent film – tell of economic and cultural decline, of the very great damage that the empowerment of the workers has done to ‘das schone alte Wien’ [beautiful old Vienna], this account and its nostalgia for ‘das goldene Wienerherz’ [the golden heart of Vienna] are repeatedly juxtaposed with images of capitalist exploitation, militarism, extreme poverty and grim living conditions in the pre-1918 period. The charges against the Socialist administration are then refuted, almost point by point, as Phyllis and her fiance show their visitor (who, like that other American archetype, Homer Simpson, hails from Springfield, USA!) around the new Vienna, notably taking him to Karl-Marx-Hof in order to disprove the claim that the showpiece of the municipal housebuilding programme is already in need of repair…….Read More »
Synopsis
The Austrian expressionist poet Georg Trakl was in love with his sister. And she loved him back. Their relationship became sexual and caused quite a stir in the local society. But when his sister asked him to flee with her to Australia where no one knew them and they could live as husband and wife, he refuse for he could not live without the beauty of the German language. Torn between his love for words and his love for Grete, Georg turned to drugs and entered a downward spiral.
(imdb)Read More »
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The story of the Viennese butcher Karl Bockerer from the moment the Nazis took power until their end. He and his family are no noble men, and they all don’t seem to be gifted with wisdom. But while the rest of his family follows the Fuehrer, Karl Bockerer refuses to get assimilated by the new system. With his aggressive but charming behavior but also with a whole lot of luck he survives through the years…Read More »
“An intense and unrelenting film with an excellent cast…” ~Cineuropa
Synopsis:
When Fuchs starts his new job as a teacher in a prison school, replacing the old and unconventional teacher Berger against her will, he is forced to confront his biggest fear, triggered by the mysterious, withdrawn inmate Samira.Read More »
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The simultaneously random and interconnected nature of modern existence comes into harrowing focus in the despairing final installment of Michael Haneke’s trilogy. Seventy-one intricate, puzzlelike scenes survey the routines of a handful of seemingly unrelated people—including an undocumented Romanian boy living on the streets of Vienna, a couple who are desperate to adopt a child, and a college student on the edge—whose stories collide in a devastating encounter at a bank. The omnipresent drone of television news broadcasts in 71 Fragments of a Chronology of Chance underscores Haneke’s vision of a numb, dehumanizing world in which emotional estrangement can be punctured only by the shock of sudden violence.Read More »
A world-famous pianist loses both hands in an accident. When new hands are grafted on, he doesn’t know they once belonged to a murderer.Read More »