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Australia’s most infamous crime story.
Sixteen-year-old Jamie lives with his mother, Elizabeth, and two younger brothers, Alex and Nicholas, in a housing trust home in Adelaide’s northern suburbs. Their home is but one of many sun-starved houses crammed together to cater for a disenfranchised society.Read More »
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On the day that one of his armoured cars is robbed, Lionel Darcy (Frank Wilson) receives an anonymous tip off that his multi-million dollar counting house will soon be hit. A corrupt detective (Alan Cassell) passes this information to crime boss Jack Henderson (Charles Tingwell), who sees a business opportunity. He takes control of the robbery plot from a senior Darcys employee, Eric Jackson (Terence Donovan), but a tough ex-cop (Ed Devereaux) makes sure the raid does not go according to plan.Read More »
BEDEVIL is the stunning debut feature from Tracey Moffatt (NIGHT CRIES, NICE COLORED GIRLS) and the first feature directed by an Australian Aboriginal woman. Inspired by ghost stories she heard as a child from both her extended Aboriginal and Irish Australian families, Tracey Moffatt has constructed a sublime trilogy in which characters are haunted by the past and bewitched by memories. All three stories are set in Moffatt’s highly stylized, hyper-real, hyper-imaginary Australian landscape. Read More »
Synopsis:
A small town in rural Australia (Paris) makes its living by causing car accidents and salvaging any valuables from the wrecks. Into this town come brothers Arthur and George. George is killed when the Parisians cause their car to crash, but Arthur survives and is brought into the community as an orderly at the hospital. But Paris is not problem free. Not only do the Parisians have to be careful of outsiders (such as insurance investigators), but they also have to cope with the young people of the town who are dissatisfied with the status quo.Read More »
This film is the follow-up to First Contact. It traces the fortunes of Joe Leahy, the mixed-race son of Australian explorer Michael Leahy, in his uneasy relationship with his tribal neighbours. Joe built his coffee plantation on land bought from the Ganiga in the mid 1970s. European educated, raised in the highlands of Papua, freed by his mixed race from the entanglements of tribal obligation, Joe leads a Western lifestyle governed by individualism and the pursuit of affluence.Read More »
From IMDB:
“A tantalizing meditation on faith, mystery, and imagination.
Sometime in the Middle Ages, a group of men living in fear of the Black Death follow the visions of a nine year-old boy (Hamish MacFarlane) to go on a pilgrimage by digging a tunnel through the center of the earth (!) emerging instead in twentieth century New Zealand (!) where they try to complete their journey by erecting a cross atop a church steeple. A willing suspension of disbelief (or the kind of unquestioning faith that the main characters have) never hurts when watching something like this, but if you’re in the right frame of mind, this fable will gradually draw you into its tantalizing meditation on faith, mystery, and imagination.”Read More »
Synopsis:
Antonio Bolivar (Richard Dreyfuss) lives a reclusive life in a hut on the outskirts of El Idilio, a far-from-ideal European outpost deep in the Amazon jungle. His main pleasure in life is reading love stories. The jungle holds memories of an earlier time that he would rather forget. Antonio is drawn back into the jungle when the mayor (Timothy Spall) decides to hunt down a grief-stricken jaguar that has tasted human blood and seems determined to kill the remaining population.Read More »
Quote:Cannibal Tours is a 1988 documentary film by Australian director and cinematographer Dennis O’Rourke. While it borrows heavily from ethnographic modes of representation, the film is a biting commentary on the nature of modernity.Read More »
Synopsis by Mark Deming
A man on the edge of collapse falls into a well of despair in this psychological drama from Australia. Tom White (Colin Friels) is an architect who is emotionally reaching the end of his rope. Edgy, confused, and losing touch with reality, White finds himself obsessively working on a project from which he was removed weeks before, and his hands shake so badly he can barely hold a pencil. Tom’s superiors suggest he should spend a few days away from the office to regain his bearing, but instead of returning home to his wife (Rachael Blake) and children, he goes on a bender. Read More »