Arthouse

Synopsis:
Peter Herzl, social worker and Left sympathizer from Wuppertal is, assaulted and robbed on the way back from Yugoslavia to Germany. Due to some misunderstandings the police examined him as a suspected terrorist. In Vienna, he finds shelter with the prostitute Kathi. Kathi has an incestuous relationship with her adolescent daughter. Fascinated she watched her mother and Peter during lovemaking. Soon they would also participate in the game. Meanwhile the search for Peter is at full speed. And Kathi`s pimp sees an opportunity to get easy money by betrayal…Read More »

Quote:
This is the last film of the ATG trilogy of the director Akio Jissoji, who sought the roots of inner psychology and eroticism. It’s a story of a young man who turns his back on the modern world, seeking to be a protector of a family and heads to his destruction.Read More »

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In the rarefied stratosphere of Eugene Green’s film “Le Pont des Arts,” music, literature, philosophy and aesthetics, and the characters’ engagement with them, are literally matters of life and death. Here and in his other films, Mr. Green, the American-born French filmmaker who founded the Theatre de la Sapience, a group dedicated to revitalizing 17th-century Baroque theater in modern productions, has invented a cinematic vocabulary that radically juxtaposes classical and contemporary themes and characters. … In “Le Pont des Arts,” Mr. Green’s propensity for throwing in academically heavyweight references and concepts may seem intimidating, but it is more than an exercise in name-dropping. The movie is an audacious, mythically slanted inquiry into the place of high art in today’s chaotic culture and an assertion of its primacy. … — NYTimesRead More »

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Prospero, a potent necromancer, lives on a desolate isle with his virginal daughter, Miranda. He’s in exile, banished from his duchy by his usurping brother and the King of Naples. Providence brings these enemies near; aided by his vassal the spirit Ariel, Prospero conjures a tempest to wreck the Italian ship. The king’s son, thinking all others lost, becomes Prospero’s prisoner, falling in love with Miranda and she with him. Prospero’s brother and the king wander the island, as do a drunken cook and sailor, who conspire with Caliban, Prospero’s beastly slave, to murder Prospero. Prospero wants reason to triumph, Ariel wants his freedom, Miranda a husband; the sailors want to dance.Read More »

On the subtropical Japanese island of Amami, traditions about nature remain eternal. During the full-moon night of traditional dances in August, 16-year-old Kaito discovers a dead body floating in the sea. His girlfriend Kyoko will attempt to help him understand this mysterious discovery. Together, Kaito and Kyoko will learn to become adults by experiencing the interwoven cycles of life, death and love. (~festival-cannes.fr)Read More »

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Following a death, a young woman returns to her island of birth, Corsica. She finds herself in a nationalist male world in the impressive and desolate landscape around Cap Corse. The story in this film without dialogue by the artist Ange Leccia is driven by songs such as Ne dis rien by Serge Gainsbourg. A young woman, Antonia, returns to her island of birth, Corsica, after one of her relatives has disappeared at sea. She is torn back and forth between her old love Ettore and the dumb Alexander. The quest for Antonia’s place in the masculine environment of armed nationalism is an excuse for all kinds of peregrinations in the spectacular landscape of Cap Corse – a landscape that itself becomes a leading character. The plot of this fascinating film, entirely without dialogue, is told in songs such as Ne dis rien by Serge Gainsbourg. With the songs, the maker reveals the psychology of his characters, who seem to be in the grip of an age-old, atavistic melancholy.Read More »

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Filmmaker Eugene Green pays homage to Manoel de Oliveira, a Portuguese director whose had a profound influence on his style, with this drama of a woman eager for a new lease on life. Julie (Leonor Baldaque) is a French actress who is still nursing a broken heart after a bad breakup with her boyfriend. Julie travels to Lisbon to begin work on her latest project, in which she’ll play the title role in a screen adaptation of the novel Letters of a Portuguese Nun. Julie is fascinated with Lisbon, and spends much of her spare time exploring the city, and she opens herself up to encounters with a wealthy and prominent man (Diogo Dória) as well as one of her fellow actors (Adrien Michaux). However, Julie learns the most about herself and her heart when she strikes up a friendship with a local boy who has lost his parents (Francisco Mozos), enjoys some long conversations with a nun (Ana Moreira) who is advising the production, and learns to love Portugal’s native fado music. A Religiosa Portuguesa (aka The Portuguese Nun) was an official selection at the 2009 BFI London Film Festival. ~ Mark Deming, RoviRead More »

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The setting is a run-down tenement house—a so-called famuła, characteristic of the city of Łódź—and several incidents—both humorous and terrifying—involving the building’s tenants: some people want to earn the respect of their neighbors by beating each other up; an altruistic housewife with two hearts makes a donation to someone in need. The residents include a priest built like an MMA fighter, a charming prostitute, and a man planning to commit suicide.Read More »

“This reflexive voyage into a celluloid Beirut becomes the key to finding out to which Beirut one is returning, and to point to the new Beirut one wishes for the future.” – Ella Shohat and Robert Stam, Cineaste

Distraught over Beirut’s destruction, Yasmine and Leila embark on a journey in search of its past. Their possession of two rare, unreleased film reels lands them an encounter with Monsieur Farouk, a reclusive film connoisseur.

Through the magic of cinema, the three of them go back in time on a mythical and history-laden tour of the city. Here the movie shines with images of Beirut from the large-scale American studio efforts of the 1970’s to the Beirut of the 1960’s as seen through the lenses of Arab filmmakers, to the French-directed films of the 1930s. Once Upon a Time: Beirut offers an enchanting look at one of the Middle East’s most complex and beautiful cities.Read More »