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Spyros (Manos Katrakis), a political refugee, returns to his homeland in his old age after many years in exile. His return is thorny, as even his wife (Ntora Volanaki) is like a stranger to him. Spyros no longer belongs to his society or his land; he is a man without nationality whose heart beats in the past, an Ulysseus who returns to a home that no longer exists.Read More »
Steven Soderbergh’s 1996 film is a free-form satire with a broad range of targets, chief among which is the form itself. Shot guerilla-style between The Underneath and Out of Sight, Schizopolis is an uninhibited, stream-of-consciousness window into Soderbergh (in goofy dual starring roles here) at play, with all commercial considerations stripped away. This is what it looks like when a gifted Hollywood filmmaker makes a student film.Read More »
Taking the last verses of Paradise in Dante Alighieri’s The Divine Comedy, Straub extends the same didactic/exploratory tendencies he already was trying with texts by Cesare Pavese in Dalla nube alla resistenza (1979) and its sequel, Quei loro incontri (2006). Now, the meditation deals with repetition, light, and absence, using Edgar Varèse’s genius in an introduction that sets a somber tone so what comes next would be pure light and sublimation. (-bafici.gob.ar)Read More »
Niko and Otar begin their professional career in a wine-producing cooperative. The two men are totally different: Niko is reserved, loyal and serious, while Otar is an opportunist convinced of his possibilities of succeeding. Niko establishes a sincere relationship with the workers and, because of his innate integrity, eventually enters into a conflict with Otar. The bottling of a wine which Niko considers to be of very bad quality but which the directors of the cooperative like, exacerbates the disagreement. The younger man will win the battle, which will be brought to an end with the help of the workers.Read More »
The life and work of photographer Sebastião Salgado, who has spent forty years documenting deprived societies in hidden corners of the world.Read More »
Synopsis:
Wazed Ali Shah is the ruler of one of the last independent kingdoms of India. The British, intent on controlling this rich country, have sent general Outram on a secret mission to clear the way for an annexation. While pressure is mounting amidst intrigue and political manoeuvres, Ali Shah composes poems and listens to music, secluded in his palace. The court is of no help, as exemplified by nobles Mir and Mirza, who, ignoring the situation of their country and all their duties towards their families, spend their days playing endless parties of chess.
— IMDb.Read More »
A single woman in her early thirties, Martha (Margit Carstensen) is on vacation with her father in Rome when he has a heart attack and falls down dead. She reacts rather indifferently and returns home to her highly-strung mother and begins to new era of her life taking care of a completely ungrateful and insulting mother (declining an offer of marriage from her boss). After a barrage of verbal abuse and offensive remarks from her mother who see’s her as an ‘ugly old spinster’ she accepts a proposal of marriage from an equally insulting and disrespectful man, Helmuth. They honeymoon in Italy. Read More »
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In 1936, the balance between centrist and right-wing political forces that support the Metaxas regime is undermined by the hostage-taking of lawyer and right-wing MP Kontaxis. In a square, a union member has been murdered. A man named Sofianos, a former police collaborator now fallen from favor, is suspected of being behind the killing. Sofianos tries in vain to prove his innocence and takes Kontaxis hostage. He threatens to kill Kontaxis if they don’t let him go. Sofianos ends up being killed.Read More »
Born inside a car, Uno has had a very special relationship with them from an early age. From the renovation of an old family vehicle, Uno and his uncle, the auto mechanic Zé Macaco, will set forward a movement no one can predict how and where it will end. By merging elements from assorted film genres, treading between wild fantasy and grounded in a very specific reality, Renata Pinheiro devises a unique film within the contemporary landscape of Brazilian cinema, urgent and timeless in equal measure. Free and restless cinema, as it should be in absurd times.Read More »