Arthouse

Wenders explained that the experience of directing this, his second film, was the usual one which occurs with a new director. It is much more difficult and much less successful. One of the biggest problems is that the interior shots were finished first (Normally exteriors are shot first). These were shot at a studio in Cologne. If you notice in the interior shots, the landscape outside the windows does not appear. The windows were covered with a variant of the rice paper you see in traditional Japanese homes. This was done because they did not know what the outside would look like. Care also had to be taken with not showing the environment outside the doors of interior shots. Read More »

Ester Krumbachová – an artist, screenwriter, director, one of the most important names of the Czech New Wave. She worked for the theatre, wrote, illustrated. She was in the middle of the artistic life in Prague in the sixties. The director Věra Chytilová asks those who knew Ester Krumbachová, cooperated with her, were her friends, loved her. She puts together a picture of an inspiring person. She starts a search which should end with the answer to the question: Who was Ester? Evening with the presence of the film authors.Read More »

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The strains of Debussy’s “Afternoon of a Faun” waft through this amusing comedy about an aging lecher’s ever-optimistic pursuit of the fair sex, for fair sex, or better. The “faun” wakes up to a new day of happy hunting because the proof of the pudding is irrelevant, it is the joy of finding the ingredients that matters. Whether out on the streets or at his job in an office, he does not relent in his hopeful approaches to mainly young women, who mainly ignore him. No one is more aware of his skirt-chasing than an older companion in the same office who has loved him from the beginning. And the big question is, will the late-blooming Don Juan come to his senses?Read More »

Synopsis:
August 1715. After going for a walk, Louis XIV feels a pain in his leg. The next days, the king keeps fulfilling his duties and obligations, but his sleep is troubled and he has a serious fever. He barely eats and weakens increasingly. This is the start of the slow agony of the greatest king of France, surrounded by his relatives and doctors.Read More »

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In 1956, there was an uprising of Hungarians against their Russian overlords, which the Russians briefly allowed to flower and then ruthlessly suppressed. One suspects that the country’s rulers knew about the uprising in advance and permitted it to continue so as to be able to identify who was most actively involved. In this film, it is 1958, and five very different men are waiting in their prison cells to be taken out and executed. Their dreams, fantasies and recollection relieve what might otherwise seem to be an unnecessarily repetitive situation. The internationally known French star Matthieu Carrière plays one of the condemned men. ~ Clarke Fountain, RoviRead More »

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Set over the course of a weekend tournament for chess software programmers thirty-some years ago, Computer Chess transports viewers to a nostalgic moment when the contest between technology and the human spirit seemed a little more up for grabs. We get to know the eccentric geniuses possessed of the vision to teach a metal box to defeat man, literally, at his own game, laying the groundwork for artificial intelligence as we know it and will come to know it in the future.Read More »

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Claire (an American) wakes up in a terrible state at the end of a runway in Spain. As she tries to account for her state (blood-soaked and bruised), she has flashbacks from the past few days. She thinks she’s killed someone, but isn’t sure, and now she’s wandering the Spanish streets without money or a clear memory.Read More »

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Satyajit Ray was not only one of the biggest admirers of Tagore but he was also one of the few who understood and interpreted Tagore’s works with his own unique vision. Ray with his neorealistic style of filmmaking found a perfect ally in Tagore’s stories of ordinary folks. “Teen Kanya”, based on three stories by Tagore –The Postmaster, Monihara and Samapti– was meant to be a tribute to the poet laureate by Ray, made as it was in the author’s birth centenary in 1961. The film however becomes a perfect symbiosis of a master writer and filmmaker.Read More »

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Essentially a series of vignettes that present an impressive combination of image and sound, “Shiver” seems to focus on concepts as tradition, through a distinct jidai-geki approach, nature and particularly water, as exhibited in the waves of the sea and the flow of the waterfalls, and the human body as connected to the playing of different percussion instruments. More intensely though, Toshiaki Toyoda focuses on the ways music is formed from a vibration that becomes a sound, that becomes a rhythm, that eventually becomes a piece of music.Read More »