Arthouse

The first major epic in the oeuvre of Lav Diaz (b. 1958) is a powerful contemporary portrait of the Filipino diaspora in New York and New Jersey: A Filipino-born detective investigates the murder of Hanzel Harana, a Filipino teenager, and must plod along with tenacity to break through the wall of silence surrounding the boy’s death. The trail of the designer drug “shabu” runs through the film like a bloody trickle, but Diaz delegates the accounts of crime, domestic violence, and the discontent in the souls of his characters to the background for the most part, instead relying on the hypnotic portrait of a decaying life as a symbol of alienation from home. The more we learn about the protagonists, the more complex, intangible, and contradictory our image of them becomes.Read More »

Shot in 1967 but not released until 1975, actor Pierre Clémenti’s acid-infused experimental whirlwind of color and music featuring a who’s who of the French 60s underground.Read More »

“Chronicles of the Present Times” – An experimental trilogy comprising ‘Visa De Censure No.X’, ‘Livre De Famille’ and ‘Anima Mundi’. New Old flows together footage from more than a decade of his wandering between scenes, sets, and drugs, an accelerated world tour through various iterations of the counterculture.Read More »

Quote:
Balifilm was originally commissioned as a stage performance, created from diary images and sounds collected in 1990 and 1992 by Peter Mettler on the island of Bali. The soundtrack is a live recording of eight Gamelan musicians playing the bronze and wooden instruments of Indonesia during the projection of the film. Balifilm is a personal, lyrical observation and expression of the creative pulse of an extraordinary culture.Read More »

On the death of his mother, a filmmaker makes a film to see how much her disappearance has changed his vision of the world. It is an opportunity for him to look back over his relationship with her: a relationship that made him a free individual, as a man and as a filmmaker. The second night is the final part of a trilogy that began with Letter from a filmmaker to his daughter, which was followed by Dreaming films. The making of this ” Cabin Trilogy” is the fruit of fifteen years of work and reflection.Read More »

Synopsis:
Civilization as we know it has been destroyed, but remnants remain. In this story, a man has set his heart on visiting a famous pre-apocalypse museum which is now isolated in the midst of a new sea, the result of the melting of the polar icecaps. Those who hold onto the remnants of the old civilization live in isolated settlements, and keep a tight rein on the more numerous mutants, whom they keep in concentration camps (except for those who pressed into duty as servants). The stranger, who is an odd looking man, is taken by these mutants as a long-awaited messiah, and he swiftly becomes involved in the mutant-liberation rebellion, leading his followers to a new land on the other side of the sea.Read More »

A farmer (Naseeruddin Shah) and a weaver (Om Puri) exchange their products for goods provided by a regular passing trader (M.K. Raina). A woman (Shabana Azmi) arrives, forcing the two men’s desires but also urging them to obtain more recompense from the trader. After a visit to a village fair , the two men become more acquisitive and jealousies break out over the now pregnant woman who simply ups and leaves .As the two men fight each other, the trader’s men attack and enslave the workers again.Read More »

Quote:
Loneliness dwells in a big city; Kostya, the wedding photographer, dwells there too. At work, he is surrounded by happy people celebrating special moments in their lives. Kostya is about to turn 50, and he is drastically losing everything he used to cherish. Will he cope with his despair and regain the joy of life?Read More »

“Belovy (the Belovs)” is a breathtaking portrait of a troubled peasant family. It’s poetry in the form of a documentary that won many prizes. Beautifully shot in vintage black and white, the film tells the story of two times widow Anna Belova who lives together with her brother Mikhail. Blending the two personalities, Kosakovsky characterizes the true Russian soul: she is the rational worker, honest and strong – he is the drunken poet, the idealist, his philosophy fades into radical nonsense time after time. Kosakovsky ingeniously knows to cut between a noisy quarrel and a hedgehog drinking in the early morning sun. The two seem to live alone in the world until two other brothers come to visit. They wonder if there is a measure for misery, they quarrel, take a steam-bath and go skinny- dipping in a nearby river. The film displays the grief and joy of Anna who lives with her stoic brother and two kids who don’t seem to make any progress. Magnificent- typically Russian- photography reminds one of Tarkovsky when we closely examine the bark of a tree while we hear Anna cry over a letter she writes to a son far far away.Read More »