Argentina

The Falklands War lasted from April to June of 1982 and took the lives of 655 Argentinian and 255 British soldiers. It ended in Argentina’s military defeat and in territorial claims on both sides that remain contentious to this day.
Thirty-five years after the end of the war, Argentinian artist and director Lola Arias invites veterans to look back – together, either in pairs or in dialogue with the camera. The British and the Argentinians face each other as former enemies, but also form an ensemble, such as when they re-enact a battle scene in an abandoned building that resembles a theatre. Read More »

Synopsis:
A woman narrates the final night on earth of a 100-year old man, whom fights for redemption from his life’s misdeeds.Read More »

Synopsis:
Ulysses is a hundred-year-old man, battling for redemption on his last night on earth. Faced with imminent death, he is forced to rethink his past, his present and his take on reality.Read More »

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A lyrical, if Peronist adaptation of the José HernándezMartin Fierro (1872-9). One of the more essential Latin American films in my opinion.

Summary:
Directed by Fernando Solanas, produced by Cine Liberación group , which openly appeared as the film arm of the Peronist movement , it is a militant and passionate film, but whose passion does not stop producing a remarkable analysis of the political period that goes from Peron’s fall to await his return from Spain. Solanas’s film is structured around a mix between the figure of Martin Fierro and that of Juan Domingo Perón , a mixture in which the verses of the poem, symbol of the wisdom of the Argentine gaucho, intersect with the word in Peron’s speeches . Read More »

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12-year-old Juana goes to a British school in Buenos Aires, where she fails both socially and academically. Surrounded by the same routine, going to class and trying to pull her social life back together, Juana goes through the strange days one week before the exams that will determine her future.Read More »

Dante is a tailor who after losing his twin brother to death became phobic which prevents him from being in contact with death. Whenever he is in front of a dead body, he experiences a creepy feeling that makes him lose his mind.Read More »

Quote:
“We were workers of luxury. And nobody was rich enough to pay us. We had to be at the same time the actor and the documentarist. We had to be at the same time the painter and their muse. The poet and the landscape. The rifle and its prey. The rider and the horse. Don Quixote and Cervantes at the same time.” A miserable Argentine troupe of actors, dancers, musicians, film-makers and a girl embark on a theatre tour to some country, probably in Latin America. If ever love and money were irreconcilable, Por el dinero is the story of that tragedy. Read More »

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After claiming to be visited by his dead father’s ghost, a young man with sleepwalking problems (Hugo Arana) enters into a sexual relationship with the neighborhood hottie (Anotella Costa), a spiritual-mystical type who’s all too willing to be his guide through the Kama Sutra, as well as to teach him how to hold in his wad past 81 thrusts. Eventually, Arana discovers he can materialize in far-off lands when he bones — as though sex were the spice from Dune. (Sample post-coital line: “Venice is incredible!”) This, mind you, is basically played for giggles, with writer-director Eliseo Subiela maintaining a gentle dreamy-absurdist tone that feels like Buñuel minus the anticlericalism (if that makes any sense). Cheerfully inscrutable, with a deftly sustained, calmly deranged performance from Costa, it unfortunately can’t figure out an ending and so just stops. There’s a sexual metaphor for that condition, right?Read More »

Buenos Aires, 1985. It’s the first anniversary of the death of Alexis Carpenter, the unstable supermodel who died tragically when she was set on fire while closing a runaway show. Lucia L’uccello – Editor-in-Chief of the most important magazine in Buenos Aires – chooses supermodels Eva Lantier and Irene del Lago to honor Alexis on the cover of the anniversary issues dedicated to the famous model. The night before the photo shoot, Alexis’s original dresses that were going to be used by the models are stolen. From that moment, members of the important fashion magazine and the agency begin to disappear, one by one, at the hands of a stealthy, sinister female silhouette in a long black leather raincoat. Is someone seeking revenge? Or has Alexis returned from the grave?Read More »