

Roberto is an insurance salesman who dreams of writing his own novel. When he meets Estela, a young woman about to commit suicide, it serves him as material to make this work.Read More »


Roberto is an insurance salesman who dreams of writing his own novel. When he meets Estela, a young woman about to commit suicide, it serves him as material to make this work.Read More »


This retelling of Fritz Lang’s M benefits from the input of two of the greatest film cinematographers in Argentine film history: Aníbal González Paz, who shot the film in a visually striking expressionistic style, and Alberto Etchebehere, who received a screenwriting credit because of his technical suggestions regarding the way the film should look. The script retains the compulsive nature of Lang’s child murderer, but otherwise differs greatly from the original film.Read More »


A young Buenos Aires mother finds employment as a sex worker and struggles to live under the same laws that are supposed to protect her.Read More »


Quote:
When her grandmother falls seriously ill, Camila must move to Buenos Aires, leaving her friends and an easy-going comprehensive school for a traditional private institution. Camila’s ferocious but immature temperament will be put to the test.Read More »


Filmed during the COVID-19 lockdown, the movie is an almost absurd portrait of a family’s dynamic during the pandemic, set in directors Alejo Moguillansky and Luciana Acuña’s home and starring their real-life daughter. The Middle Ages features them taking online courses, trying to work and find moments of solitude in a perpetually full house. In essence, trying to not go completely crazy. Cleo, the 8-year-old star, is the protagonist and the one who copes best with the new crisis, as the story revolves around her trying to collect money to buy a telescope by selling the house’s objects. Moguillansky and Acuña produced a story that’s both relatable and also highly poetical and philosophical, in the playful and comedic fiction/documentary hybrid style they have mastered throughout their previous films.Read More »


Aniceto is used to being lonely. When Francisca offers him her true love, his personal limitations and little miseries arise.Read More »
In the early ‘70s, in Argentina, a group of homosexuals decided to confront the status quo. With testimonies from its survivors as its denouncement source, Sex and Revolution brings back the voices of those who thought in order to be recognized as political actors in a society that wasn’t prepared for them.Read More »
Quote:
Christmas Eve is a hot and suffocating night in Argentina. A Mitzvah entertainer, a novelist, his girlfriend, a doctor, a wheelchair bound man, a father out looking for a last-minute present – all are tied together without necessarily knowing it, both by circumstances that bring their lives to intersection, but more so by longing.
An acid vision about Christmas.Read More »


Shot on location in the jungle, this gut-punching work of social realism by Mario Soffici—one of classic Argentine cinema’s foremost directors—simmers with rage against worker oppression. Desperate men are entrapped into indentured labor on a yerba maté plantation under the brutal foreman Köhner—a situation made tenser by the fact that both Köhner and a worker named Podeley love Andrea, the sweet-spirited daughter of the camp’s doctor, and that eventually boils over into an explosive rebellion led by Podeley. The expressionistic cinematography of Pablo Tabernero feverishly evokes a place where suffocating heat, economic exploitation, and cruelty lead inexorably to madness and violence.Read More »