2001-2010

Description: Over a meal in a French restaurant, Sy poses a conundrum to his fellow diners: Is the essence of life comic or tragic? For the sake of argument, he tells a story, which the others then embellish to illustrate their takes on life. The story starts as follows: A young Manhattan couple, Park Avenue princess Laurel and tippling actor Lee, throw a dinner party to impress Lee’s would-be producer when their long-lost friend Melinda appears at their front door, bedraggled and woebegone. In the tragic version of what happens next, the beautiful intruder is a disturbed woman who got bored with her Midwestern doctor-husband and dumped him for a photographer. Her husband took the children away and she spiraled into a suicidal depression that landed her straight-jacketed in a mental ward. In the comic version, Melinda is childless and a downstairs neighbor to the dinner hosts, who are ambitious Indy filmmaker Susan and under-employed actor Hobie. Back and forth the stories go, contrasting the destinies of the two Melindas.Read More »

Quote:
The older Woody Allen gets, the more the nebbish-jester mask dissolves to reveal the pinched sneerer underneath. Can a longtime comedy writer really be this unwarmed by life? In You Will Meet a Tall Dark Stranger, the writer-director’s London-set roundelay of neurotics, muses, and frauds, the mysterious stranger of the cumbersome title turns out to be not Antonio Banderas (who joins Freida Pinto in playing insultingly “exotic” objects of desire for the rest of the cast), but, as one character points out, the Grim Reaper himself. The fact that such moldy fatalism feels truer to Allen’s worldview than, say, the faux-sensualism of Vicky Cristina Barcelona doesn’t exactly ameliorate the sourness of this ensemble dramedy, which plays less as a critique of the characters’ willful delusions than as a jaundiced hymn to their necessity.Read More »

Synopsis
O Nosso Homem (Our Man) is a short variation in the line of the trilogy Pedro Costa has devoted to the habitants of the Fontainhas quarter, which has been destroyed in the meantime. It can be considered as a sort of appendix to the third part, Juventude en Marcha (Colossal Youth), in which the hero, Ventura, reappears as one of the four characters of this dialogue of hopelessness. They go their own way, from one setting to another, from the darkest to the brightest, carried by this lavishness of frames and timbres of light that once made Jacques Rancière (writing about Juventude en Marcha) say that “the faith in the art which attests to the greatness of the poor – the greatness of each and every man – shines here more than ever. But it does not assimilate it anymore to an affirmation of a greetingRead More »

Description:
A screwball comedy centered on a Manhattan go-go dancing club, where a financial struggle between the owner, his accountant and his silent partner brother threatens the business’s future.Read More »

A short filme, 5 minutes, part of Visions of Europe.
Read More »

A white boy falls in love with a Muslim girl in a northern town with a history of racial conflict.

Love & Hate is a modern love story set across the racial divide in a Northern town. Adam has been brought up in a home and community that fosters racial hatred. Naseema is a girl from the same town, belonging to a new generation of Asian youth who have taken up the violence offered to them as a way of reclaiming the past. But what Adam and Naseema really share is a secret desire to break free of their small town and its inhibitions, something they discover while working together in a DIY store. At first resistant, they cannot avoid their mutual attraction, and embark on a relationship which threatens to bring down their families as well as themselves.Read More »

Synopsis:
While serving the cream of Prague society, humble waiter, Jan Díte (Ivan Barnev) dreams of owning his own hotel and becoming a millionaire. Full of desire and ambition, he hustles his way towards his dream. But getting a fortune and keeping it are two different things. Directed by celebrated Czech director Jirí Menzel and set in German occupied Czechoslovakia during World War II, I served the King of England (Obsluhoval jsem anglického krále) is a bitter-sweet comedy exploring the gradual maturing of an ambitious man who, suddenly in love and guided by stupidity rather than opportunism, finds himself on the side of the occupying power.Read More »

According to this documentary, East Germans have twice as much sex, start much younger, have more partners, are more experimental and are more satisfied then their capitalist counterparts. When the Iron Curtain came down, 40 years of division left its mark in many places – including the beds of the German people. At the end of World War II, the starting point was the same on both sides of the wall. Germans shared the same culture, the same lifestyle, the same morals, but four decades on everything has changed. Why? Was it the lack of church and easy availability of divorce and abortion? Filmmaker André Meier uses archive material such as state education films, locally produced porn magazines and East German home videos to compare both systems based on their dealings with sex. Meier discovers which Germans are cooler, more advanced, less inhibited and less prudish in the bedroom.Read More »

In the new film from acclaimed writer/director Jim Jarmusch, which won the Grand Prix at this year’s Cannes International Film Festival, Bill Murray stars as Don Johnston. The resolutely single Don has just been dumped by his latest lover, Sherry (Julie Delpy). Don yet again resigns himself to being alone and left to his own devices. Instead, he is compelled to reflect on his past when he receives by mail a mysterious pink letter. It is from an anonymous former lover and informs him that he has a 19-year-old son who may now be looking for his father. Don is urged to investigate this “mystery” by his closest friend and neighbor, Winston (Jeffrey Wright), an amateur sleuth and family man. Hesitant to travel at all, Don nonetheless embarks on a cross-country trek in search of clues from four former flames (Frances Conroy, Jessica Lange, Sharon Stone, and Tilda Swinton). Unannounced visits to each of these unique women hold new surprises for Don as he haphazardly confronts both his past and, consequently, his present..Read More »