A film about four teenagers, two boys and two girls, and their relationship. It is a story of love and friendship, of loss and discovery, of the transition from childhood to maturity.
Mads and Kristian spend a summer weekend with their girlfriends at a summerhouse by the sea. When Mads and his girlfriend have a fight we find that Kristian may love someone else.Read More »
Twenty-eight-year-old Tom leads a life that might be termed as criminal. In doing so, he follows in the footsteps of his father, who made his money from dirty, and sometimes brutal, real estate deals. Tom is a pretty hard-boiled guy but also strangely considerate as far as his father is concerned. Somehow he appears to have arrived at a critical juncture in his life when a chance encounter prompts him to take up the piano and become a concert pianist, like his mother. He senses that this might be his final opportunity to take back his life. His piano teacher is a Chinese piano virtuoso who has recently come to live in France. She doesn’t speak a lick of French so music becomes the only language they have in common. Before long, Jacques’ bid to be a better person means that he begins to yearn for true love. But, when he finally has the chance of winning his best friend’s wife, his passion only succeeds in scaring her. And then, one day, his dubious past comes to light…Read More »
Centuries ago, in what would become the Canadian Arctic, Atuat is promised to the malevolent Oki, son of the leader of their tribe. But Atuat loves the good-natured Atanarjuat, who ultimately finds a way to marry her. Oki’s sister, Puja also fancies Atanarjuat, and when she causes strife between him and his brother Amaqjuaq, Oki seizes the opportunity to wreak a terrible revenge on Atanarjuat.
Apparently the first ever feature film to be made in the Inuktitut (Canadian Eskimo) language, this epic tale recounts the ancient Inuit legend of Atanarjuat.
Set some thousand years ago in the settlement of Igloolik near the Arctic Circle, “Atanarjuat” relates how shamanic forces spark deep divisions within a community of nomadic Inuit.Read More »
Short synopsis:
After a long separation, a father and his son spend the day fishing on the river bank. On a beautiful autumn Sunday, surrounded by the majestic countryside, they seem to be alone in the world. They must start all over again.Read More »
Vargas, a 54 year old man, gets out of jail in the prvince of Corrientes, Argentina. Once released, he wants to find his now adult daughter, who lives in a swampy and remote area. To get there, he must cross great distances in a small boat on the rivers, scoring deep into the jungle. Vargas is a quiet and self-contained man. He possesses the restraint of those living close to nature. A deep mystery surrounds him, the people he encounters and the places he goes through, all that taking in the unalterable world he finds almost unchanged after his long years of incarceration. (~IMDb)Read More »
Synopsis:
Two brothers are divided by matters of love and politics in this feature by a former actor and assistant director for Nanni Moretti.Read More »
Craig Johnson’s poised and poignant first feature follows Sam (Mark Duplass), an, unbeknownst to him, washed-up rocker in the early stages of haggard. Jobless and apartment-less, he crashes with his aunt (a compassionate Melissa Leo) as a last resort and becomes reluctant camping-trip chaperone to her teenage son and a pal. That the three males are on par, maturity-wise, makes for engaging ensemble juvenilia. But in the stirring Pacific Northwest wilderness a surprising discovery turns dire — and the distance from boy to man must be covered overnight. Duplass’s ballsy and at times balls-out performance is a winner, particularly when Sam at long last takes stock of himself: it ain’t pretty.Read More »
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A detective tracking a serial killer who preys on young women finds his investigation complicated by a glamorous Hollywood starlet and a ruthless crime kingpin in director Bertrand Tavernier’s adaptation of the James Lee Burke novel In the Electric Mist with Confederate Dead.Read More »
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How is it that the same movie can seem tedious on first viewing and absorbing on the second? Why doesn’t it grow even more tedious? In the case of “Distant,” which I first saw at Cannes in 2003, perhaps it helped that I knew what the story offered and what it did not offer, and was able to see it again without expecting what would not come.Read More »