2001-2010

The achingly hip I LOVE YOUR WORK arrives with trappings familiar to any keen-eyed independent film fan. With a cast that includes Giovanni Ribisi (LOST IN TRANSLATION) and Franke Potente (RUN LOLA RUN), a big-star-in-a-cameo-role appearance (in this case, Vince Vaughn), and the by now obligatory roles for people you wouldn’t expect to see in such a movie (Jason Lee, Elvis Costello), Adam Goldberg’s debut feature is positively dripping in cool, and he seems to have looked up every contact in his Rolodex for I LOVE YOUR WORK–even calling on the Flaming Lips’ Steven Drozd to carve out a few songs for the soundtrack.Read More »

MARY AND MAX is the claymation feature film from Adam Elliot who won an Oscar for his short film Harvey Krumpet.
It was invited to open the Sundance Film Festival this year, an auspicious start for this very individual film which covers 20 years of a pen-pal friendship between Mary Daisy Dinkle – voiced by BETHANY WHITMORE as a child and TONI COLLETTE as an adult and Max, (PHILIP SEYMOUR HOFFMAN) a large sized New Yorker who has problems relating to people. This odd couple friendship has loneliness at its core.Read More »

Description:
It is winter in Saint Petersburg and the streets of the former capital are teeming. Half naked sunbathers stand in the snow; fledgeling dancers watched by throngs of teens are an explosion of underground fashion; a therapist who cannot afford an office sees clients in his car; immigrant street cleaners wander estates in orange vests, hoping they won’t be mistaken for terrorists. Saint Petersburg makes do with what it has.Read More »

Koji Shiraishi is interested in strange indiscriminate murder at a sightseeing resort. He goes behind the camera to investigate the circumstances surrounding strange occurrences and interview the survivors.Read More »

An excellent documentary on the great Zbig Rybczynski, spanning his entire career, from Kwadrat to his most recent Hi-Def works. It’s not an overstatement to say that Zbig is one of the great pioneers of the moving image; a true visionary whose influence and ideas can be found everywhere in contemporary filmmaking and advertising.

Fascinating and moving in equal parts, Zbig discusses his life and experiences and how they have shaped his work. An incredibly eloquent and engaging narrator and storyteller, the man is as interesting as his creations – a beautiful mind, an extraordinary artist and a remarkable man.Read More »

Quote:
In Patagonia, a mechanic who dreams of a different life starts to think big after his adopted pup wins first prize at a local dog show.Read More »

“I was interested in whether it was possible to tell the inner life of a relationship, the things you can’t express to a third person. When Gitti and Chris come home after the holiday, and someone asks her, “How was it?” she probably wouldn’t be able to tell what happened.” Maren Ade.

Everyone Else is a subtle dissection of the truths and cracks of a relationship – a relationship that, like any other, embodies love as well as power, respect as well as moments of dissolution. Spending the first days of their vacation in Chris’ family home in Sardinia, Chris and Gitti are the ideal couple. They play, make love, talk and make love some more.Read More »

Canadian director Guy Maddin (THE SADDEST MUSIC IN THE WORLD) takes his quasi-documentary strain of filmmaking to a satisfying, and deliriously inventive, extreme with MY WINNIPEG. The film follows Maddin, who narrates and plays the character … Full Descriptionof Darcy Fehr, as he tries to escape the Canadian city of Winnipeg. Maddin grew up in Winnipeg and spent his entire life there. The city seems to be casting a magnetic hold over him, so he decides to film his way out. He moves a cast of actors into his childhood home, asking them to recreate pivotal moments from his upbringing. Here the family gathers to undertake mundane chores and to watch a TV show named “Ledge Guy.” The show stars Maddin’s mother as a woman who tries to stop her son from committing suicide in each episode. Maddin couples these scenes with a warped history of Winnipeg, which include stories of a legendary racetrack fire and the sad tale of the city’s ailing ice hockey team. MY WINNIPEG finds Maddin sticking closely to the filmmaking style that he developed in features such as COWARDS BEND THE KNEE. The film apes silent-era techniques; shots fall in and out of focus; and Maddin uses Super-8, 16mm, and even a cell phone camera to help drive his vision.Read More »

Glorious (2009, Canada, 12 min.)
Glorious tells the story of an aging crime family patriarch, holed up in a derelict apartment block. Maddin pulls out all the stops as the film unfolds into an orgy of paranoia, bursting ammo shells, rackety disarmaments and oral gratification from beyond the grave. Featuring the music of British/Dutch composer Richard Ayres.Read More »