2001-2010

Barry’s BFA thesis film.

Barry Jenkins is a filmmaker born and raised in the inner-city of Miami. After completing a bachelor’s degrees in film and creative writing, he relocated to Los Angeles where he worked as a director’s assistant and development associate for Harpo Films. Barry currently resides in San Francisco, working for the rent check by day and writing, writing and writing by night. He is the writer-director of the short films My Josephine and Little Brown Boy. Medicine For Melancholy is his first feature film.Read More »

Plot: Reeling from a brutal break-up, Kira sleeps with Max, a charming but disheveled wreck already committed to long-term girlfriend Sara. Max (no emotional sophisticate) becomes obsessed, mostly with Kira, but vaguely with his curious lack of conscience as well. Kira, fighting to win a job she hates and running aimless romantic loops, faces the precarious double challenge of choosing a next step and charting a course back to sanity. Good luck leading with your heart, when your heart is an utter emotional idiot.Read More »

Narrator: Martin Scorsese.
Nowhere else on television is such a genuine love for filmmaking consistently on display as in the Turner Classic Movie documentaries, especially when they have the audacity to stretch beyond household-name stars and directors. So it is with Martin Scorsese’s heartfelt tribute to Val Lewton, the producer responsible for such movie-buff fare as “Cat People” and “I Walked With a Zombie.” As always, the doc is linked to a retrospective of the subject’s work, and “The Man in the Shadows” more than achieves its objective of stoking interest in Lewton’s filmography.Read More »

Hopelessly oblivious, frustratingly tyrannical, and emotionally stunted, a woman suffering from a wide variety of personality flaws does her best to talk through two deeply destructive friendships.Read More »

From the official website:

Mattie and James are in love. But too many mornings and too many miles apart have taken a toll on them. As they struggle with the distance between New York and Chicago, their visits become reminders of the difficulties, not the pleasures, of their relationship. Joe Swanberg and Greta Gerwig follow HANNAH TAKES THE STAIRS with this intimate portrayal of longing and confusion. This time Swanberg co-stars with Gerwig, and Gerwig co-directs with Swanberg, creating a film that resonates deeply and leaves scars that fade but can’t heal.Read More »

In Search of a Midnight Kiss is a rollicking comic ride and tender journey though love, sex, and modern romance in Los Angeles on New Year’s Eve. Wilson (Scoot McNairy), a twenty-nine-year old guy who has just had the worst year of his life, is new to Los Angeles, has no date, no concrete plans and every intention of locking the doors and forgetting the last year ever happened. That is until his best friend, Jacob (Brian McGuire), browbeats him into posting a personal ad on Craig’s List. When Vivian (Sara Simmonds), a strong-willed woman hell bent on being with the right guy at the stroke of midnight responds, a chaotic, sometimes hilarious, sometimes touching journey through the black and white streets of L.A. begins. In the waning hours of the year, emotional vulnerability and bitterly honest humor seem to be waiting around every corner.Read More »

Hannah is a recent college graduate interning at a Chicago production company. She is crushing on two writers at work, Matt and Paul, who share an office and keep her entertained. Will a relationship with one of them disrupt the delicate balance of their friendship?Read More »

Film Threat: When director Joe Swanberg hit the scene with “Kissing on the Mouth,” I was impressed. The film did exactly what it set out to do: take a microscope to inner-personal relationships and show an up close view, warts and all. As much as I liked the film, there’s still a feeling that it’s a cinematic experiment with a loose narrative that soars at times and stumbles through at others. Yet it was undeniably brave and intriguing. With his second feature “LOL,” Swanberg has settled into a solid narrative while still using his “Dogme” type style to look closely at how people relate to one another…or why they can’t.Read More »

Winner – Special Jury Award, 10th Sofia International Film Festival
Official Selection Haifa 22nd International Film Festival
Official Selection 2006 St. Louis International Film Festival

Bosnian director Nenad Djuric’s postwar Bosnian comedy – a breezy, rib-tickling story about the clash of cultures – is a charmingly innocent love story set in a country that no longer wishes to dwell on recent atrocities.Read More »