This is the first film of Theo Angelopoulos’ trilogy. The story starts in 1919 with some greek refugees from Odessa arriving somewhere near Thessaloniki. Among these people are two small kids, Alexis and Eleni. Eleni is an orphan and she is also taken care by Alexis’ family. The refugees build a small village somewhere near a river and we watch as the kids grow up and fall in love. But difficult times of dictatorship and war are coming…Read More »
Synopsis
filmfestival.gr wrote:
Kinetta. A defunct Greek resort town, inhabited during the off-season by migrant workers. A plain-clothes cop, with a passion for automobiles, tape recorders and Russian women, investigates a series of recent murders in the area. He enlists the help of a photo-store clerk, a loner type who is a part-time videographer, and a young hotel maid, who will be performing the role of the female victims. This oddball trio engages in a succession of murder re-enactments, directed by the cop with exhaustive attention to detail but questionable scientific purpose.
filmref.com wrote:
“Something of a hybrid between Tsai Ming-liang’s eccentric, temp morts snapshots of human idiosyncrasy crossed with the glacially paced visual abstraction of Sharunas Bartas by way of Philippe Grandrieux’s murky, destabilized, and defocused gaze”
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PEACE VOICES RISING FROM GALATA
Sema symbolising a going and return, a spiritual voyage to the perfection is a salutation from the secret brave men in the heart. This voyage composed of seven parts embraces with love and affection all humanity, all living creatures by turning from right to left around the heart.
Galata Mevlevi Music and Sema Group from Galata Mevlevihane organising sema ceremonies fulfills its mission of peace representative thanks to the shows held on the whole world. The group organising a sema ceremony and conversation meeting to the honour of the Queen of Spain in the past years took part in the activities of “World Aid Committee to the Helpless Children” arranged by UNESCO in Brussels.Read More »
Every night while the city sleeps, Ahmad, a Pakistani immigrant, struggles to drag his heavy cart along the streets of New York to his corner in Midtown Manhattan. And every morning, from inside his cart he sells coffee and donuts to a city he cannot call his own. He is the worker found on every street corner in every city. He is a man who wonders if he will ever escape his fate.Read More »
Improvised sex and small crime fiction, shot during and involving the real soccer world cup 2006 in Hamburg, GermanyRead More »
Plot
The core plot begins with the kidnapping of Patrick, the son of a wealthy industrialist. Sexual and romantic engtanglements push the drama forward. At the film’s climax, Gudrun delivers a soliloquy on the importance of personal life in revolution. She puts particular emphasis on the breaking of heterosexual and possessive sexual norms, urging her comrades to join “The Homosexual Intifada”.
The pressure of Gudrun’s controlling personality causes the group to break up. Most of the urban guerrillas escape into the night. In the dénouement, the characters are visited some time later. Several have found happiness in the homosexual relationships established during their revolutionary activities. Che has become a terrorist trainer in the Middle East. Patrick escapes with Clyde, where they embark on a spree of bank robberies. This action is reminiscent of Patty Hearst’s actions with the SLA. Gudrun and Andreas settle down and have a child named Ulrike (after Ulrike Meinhof), whom Gudrun believes could embody the next generation of the Red Army Faction.Read More »
Quote:
When Pere-Lluc (Santi Millan) takes a drunken stroll down the street he gets more than he bargained for. After hitting his head on an aluminum ladder he becomes obsessed with the girl who rushes to his aid. … Full DescriptionThis Spanish-language feature follows Pere-Lluc’s increasingly desperate, and often amusing, attempts to win her over.
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SYNOPSIS:
A controlling, manipulative father locks his three adult offspring in a state of perpetual childhood by keeping them prisoner within the sprawling family compound.Read More »
Left alone in Paris whilst their parents are on holiday, Isabelle (Eva Green) and her brother Theo (Louis Garrel) invite Matthew (Michael Pitt), a young American student, to stay at their apartment. Here they make their own rules as they experiment with their emotions and sexuality while playing a series of increasingly demanding mind games. Set against the turbulent political backdrop of France in the spring of 1968 when the voice of youth was reverberating around Europe, THE DREAMERS is a story of self-discovery as the three students test each other to see just how far they will go. THE DREAMERS was helmed by Bernardo Bertolucci, whose THE LAST EMPEROR swept the 1987 Academy Awards garnering nine Oscars© including Best Director and Best Picture. It marks his third film shot in Paris, following THE CONFORMIST and the Oscar-nominated LAST TANGO IN PARIS. The screenplay, adapted for the screen from his original novel, is by English author and film critic Gilbert Adair. THE DREAMERS was produced by Jeremy Thomas (BROTHER, SEXY BEAST) who teamed with Bertolucci on THE LAST EMPEROR, THE SHELTERING SKY and LITTLE BUDDHA. THE DREAMERS strikes a personal chord for both Bertolucci and Adair, for although their paths never crossed, they were both living in Paris at the end of the 60s, experiencing the events against which the film is set. Their love of cinema took them to the birthplace of the Nouvelle Vague (New Wave), immersing them in a strong international cinema culture.Read More »