2001-2010

“Jas sum od Titov Veles” is a story of three sisters who try to survive, though they seem ill equipped for the cruel society… (IMDb)Read More »

Quote:
Set in the Midlands of Britain in the summer of 1983 and scored to the exhilarating reggae bounce of Toots and the Maytals, This Is England is a classic coming-of-age story.
Shane Meadows’ semiautobiographical film, The 400 Blows, is as timely today in any inner city as it was a quarter of a century ago in Yorkshire, where unemployment and restlessness were high.Read More »

Quote:
In “A Gentle Breeze in the Village,” Soyo Migata (Kaho) is a quirky 8th grade student who resides in a tiny rural village somewhere in Japan. The village is small enough where there’s only 6 students that attends their school (from 1st grade through 8th grade). Soyo’s been friends with her classmates since early childhood and they all hang out together like an extended family. One day, a new student named Hiromi Osawa (Masaki Okada) arrives. He’s a good looking boy from Tokyo and all the other students view as something of a celebrity.Read More »

Synopsis:
The story takes place in occupied Korea at the start of the 20th century, where a young student in medicine discovers the murdered body of the son of a government official. Being scared of being accused, he decides to hire Hong Jin-ho (a detective) to help him find the murderer before the police accuse him of the murder.Read More »

A movie set in a love hotel, but without a single sex scene? A 59-year-old woman as the heroine? It’s hard to imagine that particular pitch loosening purse strings at major Japanese media companies. A fatally ill teenager? That’s more like it.

Mark Schilling’s review from the Japan Times: No sex at a love hotel
A movie set in a love hotel, but without a single sex scene? A 59-year-old woman as the heroine? It’s hard to imagine that particular pitch loosening purse strings at major Japanese media companies. A fatally ill teenager? That’s more like it.
Director Izuru Kumasaka has incorporated these and other decidedly uncommercial elements into debut feature “Park and Love Hotel” (titled “Asyl” — short for “Asylum” — internationally), which won the Best First Feature Award at this year’s Berlin Film Festival. Read More »

Quote:
Life in the Argentine pampas is nasty, brutish and short, judging by the intense, compelling drama “La Rabia.” Impressive if challenging-to-watch work by helmer Albertina Carri (“Los rubios,” “Geminis”) observes adultery, violence and animal slaughter largely through the eyes of two disturbed children, while use of jagged animation and luminous landscape shots transmutes the base material into something more sublime. “La Rabia” is certain to sweep through fests, but could have trouble finding distribution in some territories due to unfaked deaths of various animals which, per opening credits, “lived and died as they naturally would.”Read More »

Synopsis:
A North Korean killer known as “Shadow” is sent to assassinate an important dissident who found refuge in Seoul. He is helped by two sleeping agents: Son Tae-soon as look-out, and Song Ji-won, an elite fighter. The North Koreans have not counted with Lee Han-gyoo, from the South Korean National Intelligence Service, who has been tracking them and closes in with his men. Han-gyoo has not counted with the North Koreans’ skill and ruthlessness. True to his reputation, “Shadow” disappears. Ji-won manages to escape, but cannot return to his country, where he is suspected to be a traitor, nor defect, for this means certain death for his wife and daughter who remained in North Korea. Discredited, Han-gyoo is fired from the NIS. Several years later, Ji-won and Han-gyoo meet unexpectedly, and pick up their confrontation — but not quite from where they left it off.Read More »

Foreldrar was the big winner at the Eddas ceremony (the yearly Icelandic film prize) winning a total of six Eddas.

In modern day Reykjavik, dark secrets come to light when an unhappy dentist, a lovelorn businessman and a young mother fleeing her troubled past meet by chance.

Inspired by the largely improvisational, collaborative methods of Jean-Luc Godard, John Cassavetes and Mike Leigh. In conjunction with actors from the Icelandic theatrical troupe Vesturport, who based their characters on real people, director Ragnar Bragason has produced an unsentimental dramatic study of parenthood in all its potential for fulfillment, suffering and self-discovery.Read More »

Quote:
Casting aside the humor and striking visuals that made “Woman on Fire Looks for Water” appealing, rising Malaysian helmer Woo Ming Jin jumps full-on into wearying miserablism with “The Tiger Factory.” A predictable tale of a young woman ground down by poverty and exploitation, the pic never lets up in its drive toward nihilism, culminating in her loss of compassion. Lensed in a coldly observational manner (inspired perhaps by Brillante Mendoza), “Tiger” will remain chained to rarefied fests partial to this particular brand of Southeast Asian low-budget despair.Read More »