2001-2010

Quote:
The film perfectly balances both gorgeous footage of the continent as well as fascinating interviews and anecdotes of the many researchers and workers of the McMurdo research station. It fits in well with Herzog’s already substantial canon. It is a beautiful look at a beautiful continent populated by a forklift driver with a PhD, a woman who once traveled to South America in a sewage pipe on the back of a truck, researchers who play electric guitars on top of research station to celebrate discovering three new species of aquatic life in one day, and many more. Their stories converge where all the lines on the map meet at the end of the world. Herzog shot the film with a crew of just himself and the camera operator, and the result is a film with some of the most beautiful footage I’ve ever seen.Read More »

Synopsis
In the 1980s, encouraged by the government, a large number of families leave Chinese cities to settle in the poorer regions of the country, in order to develop local industry. The film’s main character is a 19 years old girl who lives in the Guizhou province, where her parents have settled. That’s where she has grown up, where her friends are and where she first experiences love. But her father believes that their future lies in Shanghai. How can they all keep on living together when they don’t share the same dreams?Read More »

Synopsis:
As part of a job that he is promised, Xavier, an economics student in his twenties, signs on to a European exchange program in order to gain working knowledge of the Spanish language. Promising that they’ll remain close, he says farewell to his loving girlfriend, then heads to Barcelona. Following his arrival, Xavier is soon thrust into a cultural melting pot when he moves into an apartment full of international students. An Italian, an English girl, a boy from Denmark, a young girl from Belgium, a German and a girl from Tarragona all join him in a series of adventures that serve as an initiation to life.Read More »

Plot summary: (from A Nutshell Review)
Juri (Niko Narumi, you’ll be amazed that she’s only so young, but yet has the capability to take on a character that so layered and yet so subtle in her delivery) plays an ideal girl at home and in school, but this facade is quickly stripped away early in the movie, as we see her loathe her parent’s bickering at home, while putting up a false front of a happy, supportive family to the outside world. In the movie, the spotlight is also shared by fellow classmate Hinako (Atsuko Maeda), a popular girl who in a twist of fate, becomes the victim of classroom politics and bullying. Mere acquaintances, they share a poignant conversation just after junior school graduation, before going their separate ways.Read More »

MAHE NASYON… a groundbreaking, conceptual omnibus film by 20 alternative filmmakers who were tasked to present their personal visions on national issues. It is underlined by a conceptual question asked by line producers Jon Red & Carol Bunuan-Red:”How do you see the past 20 years?”

In 2006, IMAHE NASYON attempts to answer the question. That question also became a thematic and uniting thread across the films, but each film is made of different cinematic genres that is representative of the filmmaker’s style, stressing the concept that in spite of individual visions we share the same goal: to depict a truthful image of the nation.Read More »

Quote:
London 1818: a secret love affair begins between 23 year-old English poet, John Keats (Ben Whishaw), and the girl next door, Fanny Brawne (Abbie Cornish), an out-spoken student of high fashion. This unlikely pair begin at odds, he thinking her a stylish minx, while she was unimpressed not only by his poetry but also by literature in general.Read More »

This film has been called the “Uruguayan ‘Slacker’”, a reference to Linklater’s movie. It has also been called a landmark film in a (low-key, small-scale) renaissance in Uruguayan cinema – a national cinema with a terrible memory problem (“El Dirigible”, from 1994, was routinely cited as “the first Uruguayan film”, which is very false, but understandable when one sees how little movies that country has managed to preserve).

Whatever its place in film history, it’s worth a watch, and rings very much true.Read More »

As adapted from the roman by Antonia Arslan and co-directed by legendary Italian brothers Paolo and Vittorio Taviani, The Lark Farm marks one of the few international features to tackle the Armenian genocide head-on. The story (with its thematic parallels, in the early scenes, to De Sica’s 1970 Garden of the Finzi-Continis) concerns the Avakian clan. An Armenian family living an affluent lifestyle and periodically shuttling back and forth between their two comfortable homes, the Avakians feel convinced that the rising tide of Turkish hostility on the horizon means little to them and will scarcely affect their day to day. Read More »

Ummuye, Behiye, Ummu, Fatma K., Cennet, Saniye, Fatma F., Zeynep and Nesime are nine peasant women living in Arslankoy, a mountain village in southern Turkey. They spend their days working hard in the fields, on the construction site and at home. To lighten the burden of life, these women come together for a wholly different reason. They intend to write and perform a play based on their own life stories. They gather at the local high school, which they were shy of even stepping into until that day and they work with the principal, Mr. Huseyin. They reveal their life stories that they were even afraid to tell themselves and confront. For days on end, under the curious gazes of the village men, they work tirelessly, discuss and create with much fun a play, “The Outcry of Women!” This documentary is about the development process of this play and the change the women went through during this period.Read More »