1981-1990

  • Pedro Almodóvar – Tráiler para amantes de lo prohibido (1985)

    1981-1990ArthouseMusicalPedro AlmodóvarQueer Cinema(s)Spain

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    Synopsis: A Woman abadoned by the husband, suffer and pass for differents adventures until she finds the love.
    The film was never shoted in cinemas, only in TV -1985Read More »

  • Aleksandr Zarkhi – Dvadtsat shest dney iz zhizni Dostoevskogo AKA 26 Days in the Life of Dostoyevsky (1981)

    1981-1990Aleksandr ZarkhiDramaUSSR

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    Twenty-Six Days in the Life of Dostoyevsky was entered on February 16th at the 1981 Berlin Film Festival to commemorate the 100th anniversary of Dostoyevsky’s death on February 9th, 1881, and won a “Best Actor” award for Anatoly Solonitsyn as Dostoyevsky. Solonitsyn was a favorite actor in Andrei Tarkovsky’s films, and this was to be his penultimate role. This brief imaginary period in the famed Russian writer’s life encapsulates one of his darker moments in 1866. At that time he was still a relatively unknown writer whose first widely acclaimed work, Crime and Punishment, was just on the horizon. His life was at a very low ebb as he struggled with debts he could not pay, and as he fought depression over the loss of his wife to tuberculosis, and the death of his brother, who was very close to him. His first literary journal had to be scrapped because of political reasons, and the second venture needed funding. The police come to see him, sent by his publisher who is demanding recompense for debts overdue. Desperate to escape the pressure on all sides, Dostoyevsky decides to undertake the impossible and write the story of The Gambler in 26 days, thereby satisfying the debt to the publisher at least.Read More »

  • Catherine Breillat – 36 fillette (1988)

    1981-1990Catherine BreillatDramaFrance

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    Quote:
    Perhaps in stark reaction to the soft porn delusions of Hamilton’s work, Breillat decided to approach the subject of a young adolescent’s sexual education with a clarity and honesty rarely found in art in general, let alone film. Getting audiences to confront and deconstruct the cultural baggage they bring to sex remains at the centre of her more recent films Romance (1999), À ma soeur! (2001), Sex is Comedy (2002) and Anatomy of Hell (2004), but 36 Fillette, to this viewer, strikes the perfect balance between polemic, critique and compelling psychological study.

    The film’s title refers to a little girl’s dress size and the little girl in question is 14-year-old Lili, played with chilling conviction by Delphine Zentout.Read More »

  • Celso Ad. Castillo – Virgin People (1984)

    1981-1990Celso Ad. CastilloClassicsDramaPhilippines

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    IMDB:
    Three sisters live in a paradise where men are metaphorically and literally serpents of temptation. Their father takes his three daughters deep into the woods, far from the nearest town. He dies, leaving the girls educated enough to read from the Bible, ignorant enough to allow men to take advantage of them. Read More »

  • Trinh T. Minh-ha – Reassemblage (1983)

    1981-1990DocumentaryEthnographic CinemaExperimentalTrinh T. Minh-haUSA

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    From Allmovie:

    Director Trinh T. Minh-ha’s first film is an ethnographic portrait of rural Senegalese women, but its provocative editing and self-conscious narration question the very activities of ethnography and documentary filmmaking; Minh-ha inverts and critiques authoritative Western representations of the “other.'” ~ Sarah Welsh, All Movie Guide

    INTERVIEW WITH TRINH MINH-HA

    Interviewer Interviewed: A Discussion with Trinh T. Mihn-ha

    by Tina Spangler
    Emerson College

    BORN IN VIETNAM, Trinh T. Minh-ha is a writer, composer and filmmaker She has been making films for better than ten years and may be best known for her first film Reassemblage, made in 1982. However her most recent film Surname Viet, Given Name Nam (1989), which examines “identity and culture through the struggle of Vietnamese women” has received much attention, including winning the Blue Ribbon Award at the American Film and Video festival Trinh T. Minh-ha is a professor of Woman Studies and Film at the University of California, Berkely and was recently a Visiting Professor at Harvard University.Read More »

  • Stanley Kwan – Yin ji kau aka Rouge (1987)

    1981-1990AsianHong KongRomanceStanley Kwan

    Fleur is the blue angel in one of Hong Kong’s “flower houses” – bordellos and night clubs of the 1930’s. A detached and beautiful performer, she falls in love with Twelfth Master Chan, heir to a chain of pharmacies. They agree to a suicide pact. Jump ahead 50 years to modern Hong Kong: Fleur’s ghost appears in Yuen’s newspaper office, wanting to place an ad to find Chan, who never arrived in the afterlife. Yuen, and his equally bewildered girl friend, An Chor, are captivated by Fleur and her story.Read More »

  • Walter Hugo Khouri – Amor Voraz (1984)

    1981-1990ArthouseBrazilSci-FiWalter Hugo Khouri

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    Synopsis:

    Ana is going through psychological problems. She and lifelong friend Cléia decide to revisit the place they spent their childhood together in an attempt to get better results in her treatment. But they meet a stranger who will upset their plans.Read More »

  • Emile de Antonio – Mr. Hoover and I (1989)

    1981-1990DocumentaryEmile de AntonioUSA

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    Description:
    Turning the camera on himself and his 10,000-page FBI file, radical documentary filmmaker Emile de Antonio skewers the legacy of FBI chief J. Edgar Hoover while offering up a fascinating self-portrait in his final film. A lengthy conversation with the composer John Cage, a discussion with a college crowd about McCarthyism and numerous witty observations by de Antonio himself also contribute to this discursive yet sharply observed documentary.Read More »

  • Ghasem Ebrahimian – The Suitors (1989)

    1981-1990ComedyDramaGhasem EbrahimianUSA

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    Quote:
    A young Iranian woman fends for herself in America in spite of the wishes of her newfound friends after her husband is accidentally killed.

    Review
    From the NY Times:

    Before we are 15 minutes into ”The Suitors,” this dark satire reveals the dangers of slaughtering sheep in a bathtub. A quirky first feature written and directed by Ghasem Ebrahimian, who was born in Iran and who settled in the United States in the 1970’s, the film also takes a sharp, affectionate view of Iranian immigrants trying to merge their traditions with Manhattan living.Read More »

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