Background/Synopsis wrote:
Long interview with Monte Hellman at home. Maybe one of the best documentaries about a filmmaker ever shot.
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1981-1990
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Paul Joyce – Plunging on Alone, Monte Hellman’s Life In A Day (1986)
USA1981-1990DocumentaryPaul Joyce -
? – Rhino’s Guide to Safe Sex (1987)
?1981-1990DocumentaryUSASynopsis:
A hilarious retrospective of scenes from films, television and short-subjects going back to the the ’20s, ’30s. ’40s, ’50s and ’60s, detailing everything from proper petting etiquette to military lectures on VD prevention.Read More » -
Uwe Schrader – Sierra Leone (1987)
1981-1990DramaGermanyUwe SchraderQuote:
After spending three years doing field installation work in West Africa, Fred returns home to his old neighbourhood, an industrial region on the outskirts of a major city. He is filled with confidence and optimism for a new start. He has brought home with him a pile of money that he made in Africa. But he never wrote to his wife Rita. He only wired her a money transfer every month. In the meantime, Rita has a new life that she now shares with a GI. Fred rents a room in the “Royal”, a sleazy hotel. There, he meets Alma, who takes care of the rooms and the guests and who is being kept by her sugar daddy – the aging hotel director. A passionate encounter with his old girlfriend Vera, who had high hopes for the two of them at some earlier time, dissipates into a brief carnal episode. For the old work buddies in the steel mill, Fred’s return is just an excuse to get drunk one night. Only Alma, the girl from the “Royal”, shows interest in Fred. For her, he personifies a bit of yearning, faraway places and the chance to get herself out of her little rat-hole. Together they set out on a journey, wandering aimlessly through Germany. . .
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Uwe Schrader – Kanakerbraut (1984)
1981-1990ArthouseGermanyUwe SchraderHere’s the debut feature film by director Uwe Schrader, who’s still a well-kept secret of german cinema. I first read about him in the most recent issue of Cargo. His realistic “Milieu” films recall the works of Klaus Lemke, Roland Klick or the austro-canadian filmmaker John Cook. Kanakerbraut is only one hour long, and it is about the dull life of Paul (Peter Franke) and his encounters with similar characters in Berlin Kreuzberg.Read More »
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Eric Rochant – French Lovers (1985)
1981-1990Eric RochantFranceShort FilmImdb:
A woman is waiting for the bus. A man in a car offers her a lift but she rejects till he points that it is Sunday and the bus is not running on Sundays. In their short travel together through the streets of a deserted Paris the man tries to seduce the woman without apparent success.
– Written by Miguel
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Colin Finbow – Dark Enemy (1984)
1981-1990Colin FinbowDramaMysteryUnited KingdomIMDB:
After a nuclear war, a group of children at an isolated farmhouse debate what the outside world might be like. Soon one of them leaves the house to investigate, and finds out that things aren’t the way they thought.
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Eric Rochant – Un monde sans pitié aka Love Without Pity (1989)
France1981-1990Eric RochantRomancesynopsis
The French Love Without Pity strikes different people different ways. To some, it’s the last word in profundity; to others, it’s a subtitled yawnfest. We suggest that you judge for yourself this story of low-down louse Hippolyte Girardot, who regards the women in his life as little more that doormats upon which to wipe his feet. It’s “just deserts” time when Girardot falls head over heels for Mireille Perrier, who proceeds to treat him like dirt.Read More » -
Paul Bamborough – Arcadia (1990)
1981-1990Paul BamboroughShort FilmUnited KingdomSet in the not to distant apocalyptic future. Earth is under invasion from computer/arcade aliens, tensions run high and teenagers still want to ‘go out’.
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Jean Becker – L’Été meurtrier AKA One Deadly Summer (1983)
1981-1990EroticaFranceJean BeckerThrillerFrom IMDB:
Plot Summary: In spring 1976, a 19-year-old beauty, her German-born mother, and her crippled father move to the town of a firefighter nicknamed Pin-Pon. Everyone notices the provocative Eliane. She singles out Pin-Pon and soon is crying on his shoulder (she’s myopic and hates her reputation as a dunce and as easy); she moves in with him, knits baby clothes, and plans their wedding. Is this love or some kind of plot? She asks Pin-Pon’s mother and aunt about the piano in the barn: who delivered it on a November night in 1955? Why does she want to know, and what does it have to do with her mother’s sorrows, her father’s injury, this quick marriage, and the last name on her birth certificate?Read More »








