1981-1990

AllMovie Plot Synopsis by Hal Erickson
The titular trio in Three Bewildered People in the Night is played by Darcy Marta, Mark Howell and John Lacques. Experimental filmmaker Gregg Araki follows the threesome — aspiring artists all — as they wander through the apartments, galleries and coffee shops of Greenwich Village. Their lives are complicated by their carnal urges, both homosexual and otherwise. A multiple award winner at the 1988 Locarno Film Festival, Three Bewildered People never receives widespread distribution.Read More »

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The director Gaspard Bazin is preparing a new feature film. For now, he is still in the casting and financing stages. He’s asking the help of Jean Almereyda, a producer once fashionable but now at low ebb, who has more and more difficulties to raise cash for his company. His wife, Eurydice, dreams of being a movie star. Between the two men, a perverse game is starting, Almereyda wishing to please his wife, but the unrepentant seducer reputation of Bazin holds him to require a part for Eurydice…Read More »

The main character is the manager of a sport club, nicknamed “Teddy Bear” by his friends and acquaintances. One day he is detained at the border just as his sport team is off to a tournament – somebody has torn out a few pages from his passport. It occurs to him that perhaps his ex-wife has done so to get her hands on their joint account in a London bank.Read More »

Driven by the desire to see his son get an education and rise out of their level of abject poverty, a peasant father takes his boy to Istanbul to look for the advantages that were missing in his life. He hopes to find a good job so he can send his son to school, but as time goes by it seems they can barely make their way around the city and stay out of debt, let alone get ahead. Besides, the police always seem to be after them for one thing or another. Director Ali Özgentürk was arrested before he completed shooting this film, with no reason given for his arrest — as the content of his film suggests, this is not an unusual occurrence. He was later released.
— Eleanor Mannikka, All Movie Guide.Read More »

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Sid Lucero, a 26-year old pre-Med student is an aspiring neophyte of the Alpha Kappa Omega fraternity. Over a six-month initiation period, he and six other neophytes are subjected to severe physical and psychological torture in and outside the fraternity house. The neophytes come to accept the senseless violence as a requisite of their acceptance into the brotherhood. Only five of them survive the brutal, fascistic ordeal, due to the fraternity rumble with Sigma Omicron Sigma headed by Arvisu.

De Leon treats the fraternity as a microcosm of Philippine society to spotlight issues relating to human rights and autocratic rule at the height of Marcos’ martial rule. The significance of the film derives from the parallelism it draws between authoritarian society and the fraternity, and between the fraternity and Philippine society under Marcos.
(L. Pareja, CCP Encyclopedia of Philippine Art, v. VIII: Philippine Film)Read More »

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What I have the honor of reviewing here is something totally unique and probably ranks quite high on the worldwide list of obscure Sci-Fi/horror movies. “The Afterman” is a Belgian post-apocalyptic thriller, but even in its own country of release (which is really small) it only received a minimal distribution and finding a decent copy on VHS is about as rare as encountering a salsa-dancing elephant. Fortunately – or unfortunately if you wish – there are not many people on the lookout for this film and that’s mainly either because they don’t know it exists or because the reputation of writer/director Rob Van Eyck isn’t exactly favorable around here. His most famous film “Blue Belgium”, inspired by the infamous Mark Dutroux pedophilia scandal, is generally considered as one of the worst Belgian movies ever and doesn’t really stimulate viewers to check out the director’s other works. Too bad, actually, since “The Afterman” is a truly special and deeply intriguing cinematic experiment, accomplished with an absolute minimum of financial means yet with a massive amount of controversial themes and downright shocking ideas in the screenplay.Read More »

Overview
Finye / Le vent/ The Wind (1982) continues Cisse’s examination of internal African problems. This film examines the sources of student unrest and the relationship between postcolonial and traditional authority under a military regime. It opens with a statement about the wind awakening man’s thoughts. Batrou, the daughter of the governor, Sangare, falls in love with Bah. The students become involved with a protest against the repressive government. Batrou must confront her father, who is both a parental as well as military authority figure. Sangare faces resistance on many fronts in addition to the conflict with his daughter. His third wife confronts his abuse of authority as does Kansaye, Bah’s grandfather and traditional leader who has been overthrown by the governor. While Cisse presents these stories, he is really concerned with the larger concerns of society. This film also won the FESPACO Grand Prize in 1983.
Sharon A. Russell, Guide to African CinemaRead More »

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Hailed as one of the masterpieces of post-revolutionary Iranian cinema, Bashu, the Little Stranger opens during an Iraqi air-raid on a small Iranian village bordering the war-front in Khuzestan. When 10-year old Bashu’s loses his home and his entire family in the raid he takes refuge in a truck that unexpectedly drives north, close to the Russian border. There he is assumed to be ‘wild’ because of his incomprehensible dialect and dark skin; only Nai, a mother of two whose husband is away for work, takes pity on him. Soon she and Bashu weave a relationship strong enough that Bashu’s traumatic experience with the war makes way for hope and trust.Read More »

A woman becomes obsessed with a man she can’t have, and carries the torch for more than 15 years.

Synopsis:
‘An international co-production with dialogue in both Italian and English, this erotic thriller from writer Lucio Fulci and director Giuseppe Patroni-Griffi stars Tony Musante as Michael Parker, a successful American businessman living in Italy with his girlfriend. When she leaves on vacation, Michael is soon involved in a torrid, passionate affair with Marie (Laura Antonelli), a woman with whom he once enjoyed a one-night stand. This time, however, Marie is not about to let Michael off the romantic hook so easily, exacting horrific revenge on her lover. Further complicating Michael’s love life is Jacqueline, Marie’s nubile preteen daughter, whose attraction for Michael pits mother and daughter against each other in an incestuous love triangle.’
– Karl Williams (Rovi)Read More »