Movie about the Lithuanian teenagers of the 1970s
The movie is interesting to watch as it shows the young teenagers of the soviet Lithuania in the 1970s who cherish ideas of hippies, dream of Woodstock, Rolling Stones and try to avoid bad things brought by the Soviet system.
The teenagers manage to have different lifestyle, stand for the ideas of the independent Lithuania, and freedom to listen and avoid traps of the KGB.Read More »
A Jewish boy, separated from his family in the early days of WWII, poses as a German orphan and is thereafter taken into the heart of the Nazi world as a ‘war hero’ and eventually made a Hitler Youth. Although improbabilities and happenstance are cornerstones of the film, it is based upon a true story. Written by Keith LohRead More »
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A sculptor is fighting his final battle against death on his houseboat on the frozen Schelde river. Two women are at his side: his first wife, who he is divorced from, and his second wife. The latter is most concerned about his death as she realizes that in the end the only result will be irrevocable loneliness. She wants to postpone the fatal moment and therefore tries to find comfort in her reminiscences from the times when she was happy with him. A story about fidelity till after death.Read More »
A student film with no synced sound, Babysitter is a humorous nine-minute short made as Todd Solondz’ graduate film for NYU film school in 1984. Eric Schwartzman narrates and plays the lead role of a young boy who tells his history with babysitters, and how his life was particularly touched by his last one, a teenager (Patti Seitz). Read More »
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If a little pearl-handled .38 goes off in the middle of the night and no one is around to hear it, does it make a sound? Blood Simple invites such sardonic musings from the viewer. This is a film compelled by minutia, but housed within big questions encircling philosophy and geopolitics. An opening voiceover on the difference between Russia and Texas introduces audiences to Visser (M. Emmet Walsh), a private investigator fitted with a zippo and cowboy hat. He’s a sloth who’s also a sleuth, hired by Marty (Dan Hedeya), a barkeep who wants to know the man that his wife, Abby (Frances McDormand), has “been sluicing.” Across the desk from Marty, Visser tells him it’s Ray (John Getz), one of Marty’s defective employees. Marty tells him that, in Greece, they would cut off the head of a messenger bringing bad news just to make themselves feel better. Visser, more amused than frightened, retorts: “Give me a call whenever you want to cut off my head. I can always crawl around without it.” One wonders: Does that make Visser a chicken or a snake?Read More »
This is one of Gosha Hideo’s last great movies before entering into his “Women’s Films” stage. Set in the frigid wilderness of Hokkaido during the early days of the Meiji era, this film stands out for its mixture of brutality, sexuality, romance, and bloody violence. Nakadai Tatsuya stars as the brutal warden of Kabato Prison, where the convicts were sentenced to forced labor to build the roads needed to open up the territory. All the elements of his greatest films are here, from vicious catfights to brilliant sword action and a plot that’s filled with twists and turns like no other.Read More »
TimeOut London wrote:
A lyrical, elegiac tale about the generation of students banished to remote agricultural regions of China during the Cultural Revolution. 17-year-old Li Chun, a shy, even repressed Han girl from Beijing, is sent to work in a small village in the Dai countryside, down near Laos. At first disdainful of the natives’ rural superstitions and poverty, only slowly does she overcome her outsider status and learn the value of the Dais’ appreciation of beauty, nature and human warmth. An unsentimental celebration of tradition, exotic landscape and cultural independence, Zhang’s film is both a loving portrait of Dai life and a sensitive, partly autobiographical study of one girl’s hesitant awakening to sensuality. Infused with a discreet, gentle eroticism and a final, touching sense of loss, it charms through its narrative simplicity and visual elegance.Read More »
IMDB Review:
Godfrey Reggio’s Koyaanisqatsi is a film with no actors, no storyline, and no dialogue. The only things we see during the experimental documentary’s 87 minutes are natural landscapes, images of cities, and real people going about their regular lives. Yet from the very beginning, when we see the title of the film appear in blood-red characters and hear the voice of a bass soloist chanting the title like an incantation, it is difficult not to be swept away in captivation.Read More »
In “Oriane,” the past is like a series of boxes, all different sizes and shapes, that the filmmaker beckons us to open. And in each is a memory, a treasured object, a wound.
The movie is by Fina Torres, a Venezuelan-born filmmaker making her debut as a director, and it has the texture of a personal tale. The character whose experiences are recalled here is a Frenchwoman in her thirties named Marie (Daniela Silverio) who learns that she has inherited the remote Venezuelan family estate that belonged to her recently dead aunt Oriane.Read More »