SYNOPSIS
With Zerkalo (The Mirror), legendary Russian filmmaker Andrei Tarkovsky crafts perhaps his most profound and compelling film. What started off for Tarkovsky as a planned series of interviews with his own mother evolved into a lyrical and complex circular meditation on love, loyalty, memory, and history. Time shifts and generations merge as a single extraordinary actress (Margarita Terekhova) plays the narrator’s former wife as well as his mother. Tarkovsky’s memories as well as those of his mother are intermingled as a dark, sumptuous, and dreamlike pre-World War II Russia is evoked, accompanied throughout by the voice of Tarkovsky’s father reading his own elegiac poetry. The spectacle of nature and its ubiquitous and ever-shifting presence is captured by Tarkovsky’s camera as if by magic–the family cabin nestled deep in the verdant woods, a barn on fire in the middle of a gentle rainstorm, a gigantic wind enveloping a man as he walks through a wheat field–all creating indelible images with deep if mysterious emotional resonance. As the timeline shifts between the narrator’s generation and his mother’s, newsreel footage of Russian wars, triumphs, and disasters are juxtaposed with imagined scenes from the past, present, and future, crafting a silently lucid cinematic panopticon of memory, history, and nature. (Rotten Tomatoes)Read More »
1971-1980
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Andrei Tarkovsky – Zerkalo AKA The Mirror [+Extras] (1975)
1971-1980Andrei TarkovskyArthouseDramaUSSR -
Giorgio Stegani – Il sole nella pelle aka Summer affair (1971)
Drama1971-1980Giorgio SteganiItalyRomance

Synopsis
A rich girl falls for an older hippie boy. Her parents don’t approve and try to stop her from seeing him.Read More » -
Catherine Breillat – Tapage Nocturne AKA Nocturnal Uproar (1979)
1971-1980ArthouseCatherine BreillatFranceRomance
Synopsis
A completely routine drama involving sexual situations and rough characters, this story directed and written by Catherine Breillat looks at the liaison between Solange (Dominique Laffin) and Bruno (Bertrand Bonvoisin). Solange is the female version of a womanizing film director who is confident about her conquests and her ability to figure out men. Along comes Bruno, and Solange’s faith in her knowledge of men is put to a test and found wanting. In spite of her better judgment, she is undeniably attracted to Bruno though the man is going to be trouble in a big way. ~ Eleanor Mannikka, All Movie GuideRead More » -
J. Lee Thompson – Conquest of the Planet of the Apes (1972)
1971-1980ActionJ. Lee ThompsonSci-FiUSASynopsis:
In this third sequel to “Planet of the Apes,” the apes turn the tables on the human Earth population when they lead a revolt against their cruel masters in the distant year of 1990. By doing this it creates the time loop that leads to the first film. “Conquest of the Planet of the Apes” is cinematically etched in broad, brash strokes slashing social satire and science fiction suspense with large-scale spectacle.Read More » -
Wes Craven, Andrzej Kostenko & Karl Martine – The Evolution of Snuff (1978)
1971-1980CultEroticaGermanyWes Craven

Clarke Fountain, allmovie.com wrote:
Rather than being just another exploitation documentary, designed to re-use footage from unprofitable porn films, this feature explores the social circumstances which gave rise to the legend of the “snuff” film, and the conditions present (in 1976) in the porn film industry in general. Sex performers and all the others involved in making such films are interviewed about their work and why they do it. The filmmaker, himself well-known for making “soft”-porn films, was so incensed by the snuff-film trend that he made this exposé of the hard-core pornography industry. The Evolution of Snuff includes a forward by Roman Polanski, who was experiencing legal difficulties in the U.S. at the time.Read More » -
Masaki Kobayashi – Inochi bô ni furô aka Inn of Evil (1971)
1971-1980AsianDramaJapanMasaki Kobayashi

Plot Synopsis [SamuraiDVD.com]
This is another masterpiece from filmmaker KOBAYASHI Masaki, noted director of HARA KIRI, KWAIDAN, and SAMURAI REBELLION. The Japanese title is actually translated as “We give our lives for nothing”, and is the true heart and soul of this story. Based on a novel by YAMAMOTO Shugoro, who also wrote the books upon which SANJURO, KILL, and AFTER THE RAIN, were based, it tells the tale of a group of thieves and murderers who find it within themselves to sacrifice their lives with no hope of personal gain. NAKADAI Tatsuya stars as Sada, an expert with knives, whose mysterious past comes to light as he leads a group of fugitives in their last-ditch battle to save their home, a dilapidated inn, which does not welcome strangers in its doors. KATSU Shintaro plays against type in a pivotal role as one of the only outsiders ever allowed to drink at the inn. Tension and suspense lead up to a conclusion like no other. A magnificent motion picture, and a true work of art.Read More » -
Bernardo Bertolucci – La Luna (1979)
Drama1971-1980ArthouseBernardo BertolucciItaly
Quote:
Bernardo Bertolucci’s infamous Oedipal tale about a self-absorbed opera diva and the incestuous love she exhibits towards her deeply troubled teenage son was panned by critics upon its release, with Vincent Canby of the New York Times referring to it as “one of the most sublimely foolish movies ever made by a director of Mr. Bertolucci’s acknowledged talents”, and Roger Ebert unabashedly proclaiming that “Bertolucci has sprung his gourd this time.” Nowadays, Luna is considered an undiscovered masterpiece Read More » -
Eduard Artemiev – Tarkovsky movies OST (1972-79)
1971-1980Andrei TarkovskySoundtrackEduard Artemiev – Tarkovsky movies OST (Solaris-The Mirror- Stalker)
Eduard Artemiev
In the latter part of the 1950’s, the engineer and mathematician Yevgeniy Murzin had a problem. He had just realized his life long dream of constructing music synthesizer (then called “ANS”) but knew no musician with sufficient imagination to explore its vast potential. In 1960, upon meeting 22-year-old Edward Artemyev, a recent graduate of the Moscow conservatoire, Murzin immediately felt he had found what he was searching for in the young composer, who embraced the new instrument and quickly mastered its many subtleties. Artemyev has since composed numerous works varying from electronic avant-garde to film music. He is probably best known for his collaboration with A. Tarkovskiy composing music for his films: “SOLARIS” in 1972, “THE MIRROR” in 1975 and “STALKER” in 1979; and with such filmmakers as Andrei Mikhalkov-Kontchalovskiy and Nikita Mikhalkov.Read More »
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T. Fikret Uçak – 3 dev adam AKA Captain America and Santo vs. Spider-Man (1973)
1971-1980ActionCampT. Fikret UçakTurkeySynopsis
You know you’re in Turkey when, before the opening credits, Spider-Man buries a saucy wench in the sand at the beach, then has his henchmen back a boat propellor into her face! No, friends, your friendly neighborhood Spider-Man just ain’t that friendly anymore. Instead, he’s a psychotic mob boss. And when there’s a psychotic mob boss that needs taking down in Turkey, there’s only one man to call—Captain America.
You might remember actor Aytekin Akkaya from Turkish Star Wars. Here he rises to the spotlight as the heroic lead. In a heart-wrenching performance, Akkaya conveys with an unnerving subtlety the true spirit of a Captain America who is both Turkish and lacking in shield. While the sinister Spider-Man is busy strangling women to death in the shower and putting rats down tubes to eat his captives’ faces off, Captain Turkish America recruits Mexico’s national superhero, Santo, to aid him in his quest to rid Turkey of the webbed menace once and for all. Santo’s a gimp-masked superhero who’s also a wrestler. You almost wish Spidey had a mask like that though, so you wouldn’t have to see his truly Turkish eyebrows.Read More »




