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A historical socio-political depiction of the development of Chile since the 16th century and until the coup d’etat. The country’s dependancy on foreign capital is made clear as well as the strength of the bourgeoisie in comparison to other third world countries. The film mainly consists of still images.
Filmcentrum catalouge no 23Read More »
Guests arrive at an expensive private guest house on a remote island near Sydney. The guest house and weird activities, like theatre sports and orienteering, are run by a leery eccentric. One of the guests is a loner and the only way to fit in with the crowd is to participate in the questionable events. Some of the games border between comedy and horror – like the murder mystery.Read More »
Kate works in the nuclear industry. She is concerned about the way things are being run. So she smuggles out some Plutonium to prove how easy it is. She tries to pass it on to protest groups, but nobody is interested as they have their own agendas.Read More »
“Vampires” is set in (then) present-day Liverpool and is about a young lad who finds proof in some catacombs that a vampire exists. Along with his classmates he organises a big hunt for it.
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The Wedding, which is the second part of Akad’s trilogy, depicts the struggles of a migrant Anatolian family to adapt to and survive in the very different conditions of urban Istanbul, is one of the best presentations of internal migration in Turkish cinema. Akad uses the experiences of a provincial family as his medium for drawing attention to a period of disintegrating feudal relationships and burgeoning proletarianism. And this strikes the kind of political chord that is rarely encountered now in Turkish cinema; an approach that is borne out by the film’s ‘happy ending’. The Wedding is profoundly impressive as a film that explores and comments on the painful period of change sweeping Turkey at the time, but also for its standpoint, a combination of social realism and socialist reality.Read More »
When Mr. Esalat is looking for a topic for his TV show, he notices an advertisement in the newspaper about a missing girl. The picture of the missing girl is very familiar to him and he tries to remember where he saw it before. His wife Asieh is a teacher and at home she writes his mother’s diary. When he searches for the address in that advertisement, he finds that it belongs to 30 years ago. Asieh is becoming interested in the missing girl too.Read More »
A man is waiting, reading a newspaper, looking out of the window, etc., seen first at distance, then again in close-up, and the close-up forces a very intense kind of intimacy. His face, gestures, little sounds. Tired of waiting he ends up getting into bed. The close-up enters into the bed. No words or very few. Perhaps just a few murmurs.Read More »
After putting on stage a dialogue between actor and tape recording in Krapp’s Last Tape in 1958, Beckett went one step further when aged over sixty and made plays for television. Between 1966 and 1985, he produced with Süddeutsche Rundfunk four television dramas which in their intensity and radical reduction are related with the video art of the period.Read More »
A fascinating monologue of Samuel Beckett’s work, In A Wake For Sam, in which the only visible part of Ms Whitelaw are her lips, mouth and teeth. Mesmerising and chilling. Don’t forget to turn out the lights!Read More »