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Bill Saunders, a former prisoner of war living in England, whose experiences have left him unstable and violent, gets into a bar fight in which he in kills a man and then flees. He hides out with the assistance of a nurse, Jane Wharton, who believes his story that the killing was an accident.Read More »
Agostina is a maid turned prostitute during World War II. She sends all the money she makes to the local priest in her home village for safekeeping. After the war is over, Agostina and her friend plan to open a clothing store so they return to her home island to collect the money from the priest. But after arriving there, Agostina learns in shock that the priest has been dead for more than a year and that his eccentric successor mistook the received money for donations and spent all of it on building a new orphanage for war orphans. To make matters worse, other islanders think that Agostina is now a millionaire and beg her to help them financially.Read More »
Bára, the daughter of a communal herdsman, is pursued by all the young men from the village. The parents of the village boys are not pleased with this at all, because they believe the superstitious old women who claim that Bára is a daughter of a noonday-witch. The beautiful girl has one friend, Eliška, foster-daughter of the parish priest. The priest also likes Bára and always takes her side. The manorial administrator Sláma is trying to win Eliška, but Eliška loves a student from Prague. Bára decides to frighten Sláma away from his courtship. She disguises herself as a ghost, scares Sláma to death near the graveyard and makes him promise to leave Eliška in peace. But Sláma’s coachman alarms the entire village and they recognize Bára in the ghost.Read More »
ArtsEmerson writes: An update of the Faust story set in urban modernity, with Milland as the mysterious Nick Beal, the Mephistophelean tempter. District Attorney Joseph Foster (Mitchell) is after an elusive gangster when Beal—emerging from the fog—offers his assistance. The price to be paid is clear, as Farrow chillingly charts the initially law-abiding lawyer’s descent into corruption. With a notable hard-boiled turn from noir regular Audrey Totter, as the fallen woman Beal enlists to draw Foster away from his marriage.Read More »
Synopsis:
Larry Talbot finds himself in an asylum, recovering from an operation performed by the kindly Dr. Mannering. Inspector Owen finds him there, too, wanting to question him about a recent spate of murders. Talbot escapes and finds Maleva, the old gypsy woman who knows his secret: when the moon is full, he changes to a werewolf. She travels with him to locate the one man who can help him to die – Dr. Frankenstein. The brilliant doctor proves to be dead himself, but they do find Frankenstein’s daughter. Talbot begs her for her father’s papers containing the secrets of life and death. She doesn’t have them, so he goes to the ruins of the Frankenstein castle to find them himself. There he finds the Monster, whom he chips out of a block of ice. Dr. Mannering catches up with him only to become tempted to monomania while using Frankenstein’s old equipment.Read More »
Directed by Wilhelm Thiele and written by Thiele and Bradbury Foote with black and white cinematography by film noir giant John Alton
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This drama is an updated version of Ulmer’s 1944 film Bluebeard. It is set in New York and follows the exploits of an eccentric Parisian painter who has come to New York to escape a controversy surrounding his work. The trouble stems when the model he has used in all his work is found floating dead in the Seine.Read More »
Considering that it was made during a bleak and distressing period for France, Le Ciel est à vous is an astonishingly uplifting film with a message of unfettered hope for the future. It is not difficult to read director Jean Grémillon’s allegorical call to arms behind the rather anodyne tale about a Lindbergh-esque exploit, based on the real-life story of Andrée Dupeyron, the wife of a garage owner in Mont-de-Marsan. Released in February 1944, a few months before the Liberation, the film was enormously popular in France, galvanising the efforts of the Resistance and their covert supporters with its inspiring subtext. Although Jean Grémillon would go on to make three more notable films, Le Ciel est à vous was his last commercial success, the highpoint of his career before a rapid decline into obscurity.Read More »
Synopsis:
In this drama, a crippled German veteran of WW I attempts to reconcile his recent experiences with his former ideologies in this drama. After the war he goes back to his hometown on the German-Polish border to his old teaching job. Time passes and he becomes increasingly cynical and bitter; he then finds himself increasingly drawn to dark, oppressive ideologies that cause his fiancee to abandon him. He then rapes a female student and finds himself thrown out of his village. It is not long before he joins the Nazi party where he quickly rises in the ranks. By the time he returns to his village, he has become a terrifying Nazi commandant.Read More »
Dennis Schwartz writes:
John Farrow’s Calcutta is a fast-paced old-fashioned adventure yarn, shot entirely in Paramount’s backlot. Seton Miller does the screenplay. It’s an entertaining potboiler, though a minor work … Ladd gives an icy action-hero performance as someone who revels in his disdain for women as untrustworthy companions. By Ladd’s politically incorrect moves, he takes on the characteristics of the film noir protagonist–which gives this programmer its energy. Ladd quotes an ancient Hindu saying ‘Man who trust woman walk on duckweed over pond,’ which tells us all we want to know about how he has stayed alive for so long while in the company of dangerous women, ones like Virginia, while Bill so easily succumbed to the beauty of the femme fataleRead More »