1941-1950

  • Nadezhda Kosheverova & Mikhail Shapiro – Zolushka AKA Cinderella (1947)

    1941-1950FantasyMikhail ShapiroMusicalNadezhda KosheverovaUSSR

    It is one of those happy memories of our childhood, which sometimes is better to leave untouched in order to preserve the first naive impressions. The fabulous atmosphere and unusual interpretation of the story, together with the vivid images of the characters and magnificent game of actors create the truly magnetic effect. Even though the film is shot during the times of post-war hardships, it is filled with such a kindness and sincerity that you want to watch it again and again. At this difficult time Yevgeny Shwarts, Nadezhda Kosheverova and Mikhail Shapiro managed to create a beautiful fairytale, which fills the hearts of viewers with the unforgettable sense of miracle.Read More »

  • Mark Donskoy – Raduga AKA The Rainbow (1944)

    1941-1950DramaMark DonskoyUSSRWar

    Mark Donskoy, the Russian filmmaker whose fame rests upon his brilliant “Gorky Trilogy” of the late 1930s, came up with another artistic triumph in 1944’s Rainbow (originally Raduga). With understandable creative rage, Donskoy depicts life in a Nazi-occupied village at the beginning of World War 2. The German conquerors are above nothing, not even the slaughter of small children, to break the spirit of their Soviet captives. Suffering more than most is Olga (Nataliya Uzhviy), a Russian partisan who returns to the village to bear her child, only to endure the cruellest of arbitrary tortures at the hands of the Nazis. Eventually, the villagers rise up against their oppressors-but unexpectedly do not wipe them out, electing instead to force the surviving Nazis to stand trial for their atrocities in a post-war “people’s court.” (It is also implied that those who collaborated with the Germans will be dealt with in the same even-handed fashion). Brilliantly acted by virtually everyone in the cast, Rainbow is a remarkable achievement, one that deserves to be better known outside of Russia.Read More »

  • Delmer Daves – Dark Passage (1947)

    USA1941-1950Delmer DavesFilm NoirThriller

    Quote:
    Of the four movies Humphrey Bogart and Lauren Bacall made together, Dark Passage is the forgotten stepchild. Sandwiched between The Big Sleep and Key Largo, Delmer Daves’ innovative and suspenseful mystery-thriller caused barely a ripple at the box office upon its initial release. Maybe the gritty, post-war themes of isolation and paranoia hit too close to home, or the use of a subjective camera alienated audiences. Whatever the reason, Dark Passage got a bum rap from critics and public alike. And while it may not rank up there with the best of Hollywood noir, the film flaunts enough style and substance to merit appreciation.Read More »

  • Veit Harlan – Opfergang AKA The Great Sacrifice (1944)

    1941-1950DramaGermanyThird Reich CinemaVeit Harlan

    Quote:
    Albrecht Froben, though married to Octavia, falls in love with his neighbor, Äls Flodéen. She, however, is slowly dying from a debilitating disease. During an epidemic, Albrecht goes to bring her daughter to safety but he catches typhoid and is quarantined in hospital. Octavia, realising the love match, and hearing that Als is now bedridden and dying, dresses up as him and rides by her gates every day to keep her spirits up – her bed is next to the window. Albrecht returns. Äls has a dream in which she talks to her projection of Albrecht and concludes that she does not wish to take part in this union and accepts death. Albrecht is reconciled with his wife.Read More »

  • Gregory J. Markopoulos – Christmas U.S.A. (1949)

    1941-1950ExperimentalGregory J. MarkopoulosShort FilmUSA

    Synopsis
    Things spin: amusement park rides, a phonograph record. A man wakes, shaves, and takes a phone call. Another man, in a kimono, walks in the woods, stops, and opens a small decorative box on the forest floor. People at an amusement park called Little Harlem enjoy themselves. A man walks through another amusement park, called Cavalcade Worlds, as midway rides spin. At a house, an older woman cleans; a pre-teen girl sets the table; a teenaged boy showers. After he dresses, he holds a candle high above his head and walks swiftly toward a young man standing bare-chested, his arms extended. A man arrives home where the girl has set the table. The youth sleeps. Christmas?Read More »

  • Unknown – Aseveljeyden sankarit aka Brotherhood of Arms (1943)

    ?1941-1950DocumentaryFinlandWar

    German-Finnish coproduction documentary which has not been published before 1999. Film is an accurate description of the Finnish Waffen-SS volunteers from 1941 to 1943. Recruited in spring 1941, trained in Germany and all the way to the Caucasus. Narrated by a young TK man, front radio commentator Veikko Itkonen (1919-1990).Read More »

  • Hasse Ekman – Flicka och hyacinter AKA Girl with Hyacinths (1950)

    1941-1950ClassicsHasse EkmanMysterySweden

    Quote:
    Ekman’s favorite of his own films, and an enduring classic in Scandinavia, “Girl with Hyacinths” examines the mysterious suicide of a young woman (Eva Henning, Ekman’s wife at the time) through a Wellesian multiplicity of points of view. Visually striking, with extreme long takes and images that drift into a dreamlike surrealism, the film reveals its secrets with grace and sympathy, moving toward a final revelation that seems at least a generation ahead of its time.Read More »

  • Wojciech Has & Stanislaw Rózewicz – Ulica Brzozowa AKA Brzozowa Street (1947)

    1941-1950ArchitectureDocumentaryPolandShort FilmStanislaw RózewiczWojciech Has

    Quote:
    The film shows the revival of Warsaw after the war. The city slowly rises from the fall, mainly thanks to the people who work hard to rebuild their capital. The documentary, despite its obvious propaganda message, has been made for heart-rending, and today its paintings represent an undeniable historical and archival value.Read More »

  • Mitchell Leisen – Suddenly, It’s Spring (1947)

    1941-1950ComedyMitchell LeisenUSA

    Review Summary
    A post-WWII romantic comedy that explores the effects of the war on American marriage, this film stars Fred MacMurray and Paulette Goddard as Peter and Mary Morley, a pair of constantly fighting attorneys. They are on the verge of breaking up their marriage when the war breaks out. Mary goes into the Women’s Army Corps, and when she returns after the war, she’s no longer sure if she wants a divorce. In her absence, however, Peter has hooked up with Gloria Fay (Arleen Whelan), who demands that he sign the divorce papers. In turn, Jack Lindsay (MacDonald Carey, one of Peter’s clients, has fallen for Mary, but he doesn’t want to move in with her until the divorce is official. ~ Michael Betzold, All Movie GuideRead More »

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