1941-1950

  • Edwin L. Marin – Race Street (1948)

    1941-1950CrimeEdwin L. MarinFilm NoirUSA

    In this dark crime drama, the trouble begins when a San Francisco bookie attempts to lead an honest life by marrying a comely widow. In preparation for his nuptials, the fellow stays on the straight and narrow, but when he learns that one of his cohorts has been murdered by an East Coast gang that is trying to horn in on West Coast territory, he reenters the underworld. A boyhood friend who became a cop tries to convince him to team up with the police, but the vengeful bookie remains determined to things his way. It proves to be a tragic mistake and shows the bookie that those closest to him are not what they seem.
    — Sandra BrennanRead More »

  • Irving Rapper – Deception (1946)

    1941-1950DramaFilm NoirIrving RapperUSA

    Brief Synopsis:
    A woman tries to protect her refugee husband from her rich and powerful ex-lover.

    Quote:
    Deception is an operatic rehash of the 1929 film Jealousy. Music teacher Bette Davis–who evidently has a large student pool, judging by the size of her penthouse apartment–is reunited with her cellist lover Paul Henreid, whom she believed to have been killed in the war. Henreid wants to marry Davis, but he is unaware that she has, for the past several years, been the “protege” of composer Claude Rains. Read More »

  • George Sherman – The Sleeping City (1950)

    1941-1950Film NoirGeorge ShermanUSA

    Pacific Cinémathèque Pacifique writes:
    The Sleeping City is a gritty, claustrophobic thriller set in a metropolitan hospital. Its jarring opening has a burned-out intern, out on a smoke break, shot point-blank in the face. Film noir fixture Richard Conte heads the “Confidential Squad” that goes undercover to investigate. Coleen Gray is the attractive head nurse with whom Conte becomes involved — and who may be mixed-up in some major medical skulduggery. Read More »

  • Archie Mayo & Fritz Lang – Moontide (1942)

    1941-1950Archie MayoDramaFilm NoirFritz LangUSA

    Synopsis:
    After a drunken binge on the San Pablo waterfront, longshoreman Bobo fears he may have killed a man. In his uncertainty, he takes a job on an isolated bait barge. That night, he rescues lovely Anna from a watery suicide attempt and installs her on the barge. But Tiny, Bobo’s longtime pal and parasite, hopes to drive Anna away before domestic bliss tears Bobo away from him; the still unsolved murder may be just the wedge Tiny needs. There’s fog on the water and evil brewing…Read More »

  • John Huston – The Maltese Falcon [+commentary] (1941)

    1941-1950ClassicsFilm NoirJohn HustonUSA

    Synopsis:
    Spade and Archer is the name of a San Francisco detective agency. That’s for Sam Spade and Miles Archer. The two men are partners, but Sam doesn’t like Miles much. A knockout, who goes by the name of Miss Wonderly, walks into their office; and by that night everything’s changed. Miles is dead. And so is a man named Floyd Thursby. It seems Miss Wonderly is surrounded by dangerous men. There’s Joel Cairo, who uses gardenia-scented calling cards. There’s Kasper Gutman, with his enormous girth and feigned civility. Her only hope of protection comes from Sam, who is suspected by the police of one or the other murder. More murders are yet to come, and it will all be because of these dangerous men — and their lust for a statuette of a bird: the Maltese Falcon.Read More »

  • John Ford – The Fugitive (1947)

    1941-1950ClassicsDramaJohn FordUSA

    Museum of Modern Art writes:
    In 1946, John Ford effectively took over the crew of his friend and fellow spirit Fernández—including stars Dolores del Río, Pedro Armendáriz, and Miguel Inclán, and cinematographer Gabriel Figueroa—and, with Fernández acting as his “first lieutenant,” filmed this abstract, ambitious work on locations in Mexico and at the Churubusco Studios. Ostensibly an adaptation of Graham Greene’s unfilmably scandalous The Power and the Glory, it derives many of its plot points from Ford’s 1935 The Informer, though the film’s ultimate subject is the Mexican landscape, as explored in all of its compositional possibilities by the incomparable duo of Ford and Figueroa.Read More »

  • Fritz Lang – Ministry of Fear (1944)

    1941-1950CrimeFilm NoirFritz LangUSA

    Synopsis:
    Ray Milland plays Stephen Neale–a bewildered man just released from an asylum. However, reality proves to be more surreal and perplexing than the asylum itself. Neale wanders through the streets, whimsically stopping off at a rural carnival, where he unwittingly gets involved in a complex and dangerous spy ring that is attempting to smuggle microfilm out of the country. He travels to London and hires a small-time detective to help him decipher the mysterious things that seem to constantly befall him. But things only get more confused from there, leading Stephen to Scotland Yard, where his fate entwines with a Nazi front organization, and a love affair.Read More »

  • Anthony Mann – Raw Deal (1948)

    1941-1950Anthony MannCrimeFilm NoirUSA

    Synopsis:
    Joe Sullivan is itching to get out of prison. He’s taken the rap for Rick, who owes him $50 Grand. Rick sets up an escape for Joe, knowing that Joe will be caught escaping and be shot or locked away forever. But with the help of his love-struck girl Pat and his sympathetic legal caseworker Ann, Joe gets further than he’s supposed to, and we are posed with two very important questions: Is Joe really the cold and heartless criminal he appears to be, or is there a heart of gold under that gritty exterior? And does Joe belong with the tough, street-wise Pat, or with the prim, moralizing Ann?Read More »

  • Alfred Hitchcock – Shadow of a Doubt (1943)

    1941-1950Alfred HitchcockClassicsFilm NoirUSA

    Synopsis:
    Charlotte “Charlie” Newton is bored with her quiet life at home with her parents and her younger sister. She wishes something exciting would happen and knows exactly what they need: a visit from her sophisticated and much travelled Uncle Charlie Oakley, her mother’s younger brother. Imagine her delight when, out of the blue, they receive a telegram from Uncle Charlie announcing that he is coming to visit them for awhile. Charlie Oakley creates quite a stir and charms the ladies’ club, as well as the bank President where his brother-in-law works. Young Charlie begins to notice some odd behavior on his part, such as cutting out a story in the local paper about a man who marries and then murders rich widows. When two strangers appear asking questions about him, she begins to imagine the worst about her dearly beloved Uncle Charlie.Read More »

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