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Peter High: Your war films seem to fall into two categories – those large, epic productions you did for Toho like Gekido no Showa-shi Okinawa kesen (The Battle of Okinawa, 1971) and the low-budget, personal ones financed by yourself, like Nikudan (The Human Bullet, 1968) and Tokkan (Batle Cry, 1975).Read More »