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A three part-film based on short stories about the difficult lot of women in the early Meiji era. This is the film that swept almost all the Japanese awards for the year of Tokyo Story and Ugetsu (among others great films) — and lost to the fairly inconsequential Gate of Hell at the Cannes Festival. Imai and Kinoshita (and not Ozu, Naruse or Mizoguchi) were the most popular (and critically acclaimed) directors of the Japanese Golden Age of the 50s. While I find the contemporaneous adulation for Kinoshita beyond my understanding, I have found the few Imai films I’ve seen fairly impressive. And this is no exception.Read More »

