In Rohfilm (1968, W. & B. Hein) dirt, sprocket-holes etc. appear independently of a continuous film-strip as aesthetic elements in their own right. Hairs, ashes, bits of tobacco, shredded film-images scraps of paper, sprocket-holes, perforated splicing-tape etc. are glued onto blank film and then re-filmed. The film-strip is then subjected to different reproduction- processes (re-filming from the editing-table, the movieola and the video monitor) and the result is an impression of destruction on a massive scale.Read More »