Vittorio Cottafavi

A come Andromeda is an Italian TV miniseries in five hour-long parts, broadcast in 1972 on RAI, the Italian state broadcaster. It was directed by Vittorio Cottafavi and adapted by Inisero Cremaschi from the book by Fred Hoyle and John Elliot, itself adapted from the BBC’s 1961 series A for Andromeda by the same authors, which is now mostly lost. It stars Luigi Vannucchi, Paola Pitagora, Tino Carraro and Nicoletta Rizzi, with performances from Arturo Dominici, Mario Piave, Claudio Cassinelli, Gabriella Giacobbe, Enzo Tarascio, Giampiero Albertini, Sandro Tuminelli and others.Read More »

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Cheese holder Kerr is in turmoil because of a serious decline on his sales. In order to get out of the crisis an electronic brain of the latest generation is acquired: gordon i. The new computer, equipped with free will, comes into conflict with the employees of the company.Read More »

Liana, a young architecture student from a wealthy family, is about to get married to an engineer. Everything in her life seems well until she is confronted with the idea she is sacrificing the rest of her life for a man she barely knows and a mediocre lifestyle. So begins a series of romantic encounters in which Liana tries to find her freedom and happiness, but which will ultimately lead her to a tragic fate.

Selected as one of the “100 Italian Films To Be Saved”Read More »

Vittorio Cottafavi’s 1971 adaptation of the Sophocles play (he had adapted it earlier in 1958). Fans of Danièle Huillet & Jean-Marie Straub should be most impressed.Read More »

Cottafavi’s adaptation of Aeschylus’ play.

Michael Billington wrote:
The Persians is the oldest surviving work of Western drama. First performed at the City Dionysia in 472 BC, The Persians takes a nuanced approach to the matter of war and conquest. It was a direct inspiration for the French national anthem, ‘La Marseillaise’. Percy Shelley’s drama Hellas was written in response to it. It’s the only play from the classical era that deals with historical events rather than mythological ones. In short, The Persians is a fascinating play and Aeschylus’ handling of war is worthy of closer inspection and analysis.Read More »

Plot: From the novel by Dumas “La Dames aux Camelias”. In Milan, a prostitute sacrifices herself to prevent the ruin of the young man she loves.Read More »

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A TV movie (aired on Rai on July 2, 1962) that seems to come from a remote galaxy. We are no longer used to anything like this. It is an alienating charm, consciously cooled to the extreme, stylized in its scenographic and luminous lines of relentless, literary cleanliness (where can we hear a word like “dripping” on TV today?), Without a shred of sentimentality.

In short, Bertolt Brecht on the small screen. The text is taken from a radio original by Friedrich Dürenmatt.Read More »

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Il taglio del bosco is a film for television of 1963 , directed by Vittorio Cottafavi , taken from eponymous book by Carlo Cassola .

The film, produced by RAI, was broadcast on September 19, 1963 during the cycle of nine films entitled Tales of Italy today .

The film sees the participation of Gian Maria Volonté as the only professional actor, while all the other characters are played by the inhabitants of Tirli , the village of the Grosseto hills where the film is shot and set.

Gianni Rondolino defines the work “a phenomenological film that manages to introduce a disturbing moral dimension into the objectivity of the realistic vision”Read More »

VITTORIO COTTAFAVI
pubblicato su “Alias” – Il manifesto del 26 maggio 2007
Lorenzo Esposito e Donatello Fumarola

Vittorio Cottafavi – La conquista dell’immagine (televisiva)

Quando, fra il 1981 e il 1985, Vittorio Cottafavi firma i suoi due ultimi film prodotti dalla Rai, Maria Zef e Il diavolo sulle colline, la televisione è già lo specchio di un mondo in frantumi. La riduzione di spazi di pensiero, parallela all’occupazione dello spazio-tempo da parte dell’ideologia dell’inserzione, riguarda da vicino la rabbia e il dolore di queste immagini ultime. Immagini perfette, che dell’esperienza cine-televisiva, forniscono la lezione magistrale attraverso il racconto profetico della fine della civiltà contadina (Maria Zef), e si innestano nel punto nevralgico della crisi – come dimostrano i nostri giorni, mai rientrata del tutto – politica, economica e sociale italiana (la Torino del 1937 raccontata da Pavese ne Il diavolo sulle colline). Read More »