“The Lianhua Film Company became the leading progressive studio of the 1930s. Symphony of Lianhua 1937 is a rarely seen showcase of short films by eight directors, many of whom later worked in Hong Kong. Cai Chusheng’s Five Little Brothers is an early cinematic exploration of children’s lives and Zhu Shilin’s contribution is one of the first Chinese horror films. Other films range from comedy to social realism.Read More »
Movie in 4 episodes, taken from as many short stories by Luigi Pirandello.
1) “La giara”: in order to repair the jar of quarrelsome Don Lolò, zi ‘Dima remains locked inside it;
2) “Il ventaglino”: an unwed mother spends the first money received in charity to buy a fan;
3) “La patente”: a jinx requires that he be officially recognized, with a licence, his ability to bring bad luck;
4) “Marsina stretta”: the anger for a too tight tailcoat induces a best man to make celebrate a wedding that the groom’s rich parents were trying to avoid.Read More »
A collective film of 33 shorts
Review:
The specter of the death of cinema and the communal movie experience hangs like an ironic shroud over “To Each His Own Cinema,” a mostly engaging compilation of 33 three-minute films made by leading international auteurs on the occasion of the Cannes Film Festival’s 60th birthday. Venture was conceived and produced by fest prexy Gilles Jacob as a way to celebrate the cinema rather than Cannes per se, and the directors were asked only to express “their state of mind of the moment as inspired by the motion picture theater.” Collection was televised throughout France on Canal Plus simultaneously with its Cannes preem and will be released on DVD in Gaul on May 25.Read More »
IMDB:
Superb!, 30 June 2005
10/10
Author: P_Cornelius
A terrific show, Danger Man. Just how terrific was it? Several of the scripts were recycled for use in color episodes of The Saint. But the originals in Danger Man are the best. As for Patrick McGoohan, he has never surpassed his role in this series. And, yes, that statement applies to his over-hyped and underwhelming portrayal as Number Six in The Prisoner. All the Danger Man episodes, including the earlier run of 30 minute episodes, are available on DVD. And that’s probably the only way anyone will ever see them in this day and age, as even cable channels are now becoming averse to running black and white hour long dramas from forty or more years ago. Read More »
Quote:
The 24 avant garde shorts of the 1920s and ’30s chosen for this Kino set from the collection of curator Raymond Rohauer span the gamut of movements and styles—dada, surrealism, city symphony, environmental terrarium, direct exposure. The diversity already makes the proposition of plowing through the pair of discs from start to finish not only daunting but perhaps ill-advised. Especially when lurking among the unassailable landmarks of silent avant garde cinema like Joris Ivens’s Regen (an evocative socio-environmental replication of the civic reaction to a rainy downpour on city streets) and Fernand Léger’s Ballet Méchanique (a rhythmic Parisian melange that’s kaleidoscopic in both its prismatic cinematography and its undulating circles of repetition) are at least two (possibly three) works that aim to take the piss out of the concept of non-narrative art cinema. The Hearts of Age, Orson Welles’s fraternal collaboration with William Vance (made when Welles was a mere 19 years of age), is a backyard farce that Welles later admitted to Peter Bogdanovich was made in benign mockery of the Buñuel/Dali collaborations that were inescapable in the day, though it scarcely owes any tangible debt to the style of Un Chien Andalou.Read More »
Quote:
The 24 avant garde shorts of the 1920s and ’30s chosen for this Kino set from the collection of curator Raymond Rohauer span the gamut of movements and styles—dada, surrealism, city symphony, environmental terrarium, direct exposure. The diversity already makes the proposition of plowing through the pair of discs from start to finish not only daunting but perhaps ill-advised. Especially when lurking among the unassailable landmarks of silent avant garde cinema like Joris Ivens’s Regen (an evocative socio-environmental replication of the civic reaction to a rainy downpour on city streets) and Fernand Léger’s Ballet Méchanique (a rhythmic Parisian melange that’s kaleidoscopic in both its prismatic cinematography and its undulating circles of repetition) are at least two (possibly three) works that aim to take the piss out of the concept of non-narrative art cinema. The Hearts of Age, Orson Welles’s fraternal collaboration with William Vance (made when Welles was a mere 19 years of age), is a backyard farce that Welles later admitted to Peter Bogdanovich was made in benign mockery of the Buñuel/Dali collaborations that were inescapable in the day, though it scarcely owes any tangible debt to the style of Un Chien Andalou.Read More »
Description: – ”The 40 Labor [the manufacturer firm] as a faithful conservative reaches back – his generation only – to the tradition looking like the lost one. To the twentyfold years’ avantgarde, the ones of sixty filmlanguage-his narration revolution, to the seventy ones’ experimentation. And to the postmodern one which recalling was kept always, for which all this fits shakily under the world’s big umbrella, ( everything else – and the contrary of everything – too).
Buharov brothers strong and effective pictures are dreamed onto the linen, their work lasts caught if we understand nothing from him. We do not recognise their world’s rules, we feel it though these rules his strength.” – Báron GyörgyRead More »
8 episodes, ranging from experimental to documentary to conventional narrative cinema, made by the most prominent Swedish film directors of the time to answer the question of what stimulates them most.Read More »
An anthology film following different stories around the theme of invisibility in the modern world.Read More »