Vangelis Mourikis

When Niko’s finances go astray, he hides out in thefamily house in the Greek mountain town of Siatista. Surrounded by ghosts of his past, Niko must uncover the mystery of his father’s death.Read More »

A father and a son long lost. Love and hate. Digging deep into mud to find their roots. Revenge and Redemption. A Western, revisited.Read More »

Synopsis:
The Summer of 1987. Six friends from Salamina meet in one of the island’s cafes. Then, and over the following seven years, they experience maturation as a gradual drawing-away from the paradise of their adolescent unconcern, and the emotional bonds between them slowly wither. They realize that they are no longer the center of the world and that they have been absorbed by a social system that is deadly serious. Year-in-year-out, their meetings take place less and less frequently. Every time they return to the island, they carry with them traces of different personal experiences that all the more bear the marks of modern social reality. They experience this change as a kind of decay and corruption. At the same time, their once-solid friendship inevitably fades away.Read More »

Synopsis wrote:
Trying to turn his back on a dark past, a thirty-year-old man returns to his hometown in the Peloponnese with the hope of making a fresh start. The local society treats him with hostility, but he doesn’t give up and manages to integrate into this new environment. When, however, a girl who knows about his past comes into his life, he is driven to conflict with the people around him and, in the end, to his own destruction.Read More »

Quote:
Manhood-measuring contests — in every imaginable sense of the phrase — are taken to brazenly literal extremes in “Chevalier,” the long-awaited third feature from Greek multi-tasker Athina Rachel Tsangari. Markedly different in focus and emotional temperature from her 2010 breakthrough, “Attenberg,” this committedly deadpan comedy of manners, morals and men behaving weirdly boasts a contained conceit seemingly ripe for unfettered absurdism: On a luxury yacht in the Aegean Sea, six male acquaintances embark on a rigorous series of personal and physical challenges, mercilessly grading each other to determine who is “the Best in General.” That Tsangari resists escalating the conflict, counting on subtle political insinuations to emerge as these perplexing social Olympics wear on, will leave as many viewers enervated as amused, but it’s an expertly executed tease.Read More »