One of Japan’s leading female directors, Kawase Naomi first came to international attention in 1997 when she became the youngest winner of the Cannes Caméra d’Or with her debut feature Moe no Suzaku. Ten years later, she won the Grand Prix at the 30th Cannes Film Festival with her acclaimed film The Mourning Forest. Though better known for her full-length narrative films, Kawase has spent most of her filmmaking career working with documentaries, often of an autobiographical nature. Read More »
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n April 24, 2004, Kawase Naomi had a son, Mitsuki. Following Japanese tradition, she gave birth on a tatami mat, assisted by a midwife and surrounded by all her family. As soon as the umbilical cord was cut, she tools up her camera and films every day her child and her ninety-year-old grandmother. With this highly emotionally affecting «docu-diary» the filmmaker continues to reflect on the world around her, her origins and the future. Although she initially wanted to describe only the life she carried within her for nine months, Kawase Naomi eventually extended the scope of her film to include Mitsuki’s interaction with those around him. By deliberately breaking with any notion of linear temporarily, she creates, with gentleness but also with harshness and violence, a pendulum like movement between moments, past and present feelings. Read More »
In this autobiographical documentary, filmmaker Naomi Kawase seeks to reach her mother and father who abandoned her at birth.Read More »