Tyrone Power

  • Henry King – In Old Chicago (1937)

    USA1931-1940ActionDramaHenry King

    Storyline
    In 1854, the patriarch Patrick O’Leary of the O’Leary family dies in an accident nearby Chicago while traveling amid-western prairie. His wife Molly O’Leary raises her three sons alone working as laundress. Her son Jack becomes an idealistic lawyer; Dion is a gambler; and Bob helps his mother in the laundry business and marries local Gretchen (June Storey) in the old area known as The Patch. Dion meets the singer Belle Fawcett in the cabaret owned by Gil Warren and they fall in love with each other and become lovers. They also open a business of their own to compete with Gil that becomes their enemy. However Gil invites Dion to join the politics with him but Dion plots a scheme with tragic consequences.Read More »

  • Rudolph Maté – The Mississippi Gambler (1953)

    1951-1960RomanceRudolph MatéUSAWestern

    In 1854 Mississippi, honest riverboat card gambler Mark Fallon wins young Laurent Dureau’s diamond necklace, a family heirloom which, in the end, will bring him happiness and tragedy alike.Read More »

  • John Ford – The Rising of the Moon (1957)

    1951-1960ComedyDramaJohn FordUSA

    John Ford returned to his Irish roots in this lighthearted gem featuring three short films introduced by Tyrone Power and shot entirely in Ireland.

    The first, “The Majesty of the Law”, is the droll tale of a police inspector (Cyril Cusack) trying to serve a warrant on an old man (Noel Purcell) who assaulted his neighbour.

    “A Minute’s Wait” tells the farcical story of how a train’s one-minute station stop turns into a two-hour delay. Filmed on the late, lamented West Clare Railway.Read More »

  • Edmund Goulding – The Razor’s Edge (1946)

    1941-1950ClassicsDramaEdmund GouldingUSA

    Synopsis:
    Well-to-do Chicagoan, Larry Darrell, breaks off his engagement to Isabel and travels the world seeking enlightenment, eventually finding his guru India. Isabel marries Gray, and following the crash of 1929, is invited to live in Paris with her rich, social climbing, Uncle Elliot. During a sojurn there, Larry, having attained his goal, is reunited with Isabel. While slumming one night Larry, Isabel and company are shocked to discover Sophie, a friend from Chicago. Having lost her husband and child in a tragic accident, Sophie is living the low-life with the help of drugs and an abusive brute. Larry tries to rehabilitate her, but his efforts are sabotaged by Isabel who has tried in vain to reignite Larry’s interest in her.Read More »

  • John Ford – The Long Gray Line (1955)

    1951-1960ClassicsDramaJohn FordUSA

    Plot Summary
    Martin “Marty” Maher, an immigrant from Ireland, arrives at West Point where he is assigned to work in the kitchen. He soon proves to be ill-suited to such work and quits only to enlist in the army. The head of the West Point athletics department, Captain Koehler (known as the Master of the Sword), takes Marty on as an assistant. Marty proves to be no great specimen of a sports expert, but he has a winning way about him in dealing with the cadets, whether it’s boxing, swimming or football.Read More »

  • Henry King – A Yank in the R.A.F. (1941)

    1941-1950DramaHenry KingUSAWar

    Tyrone Power pursues Betty Grable and becomes A YANK IN THE R.A.F., in this romantic drama set in the early days of WWII. For smooth-talking daredevil pilot Tim Baker (Power), flying is a game and the war is simply an opportunity to make some quick money. When a high-paying job ferrying bombers across the Atlantic lands him in London, he runs into Carol (Grable), an old flame, and joins the R.A.F. just to be near her. But problems arise when Carol is pursued by another pilot (John Sutton), who treats her better and happens to be Baker’s superior officer! When both men start flying bombing missions over Europe, Carol finds that choosing between them is suprisingly hard, and Baker learns that not everyone takes life as lightly as he does.Read More »

  • Henry King – The Sun Also Rises (1957)

    1951-1960DramaHenry KingUSA

    ArtsEmerson writes:
    Hemingway’s crestfallen tale of American expatriates in Europe is faithfully refashioned for the screen in Henry King’s 1957 drama. The Lost Generation’s carousing lifestyles and misguided behavior are depicted much like in the original text, with performances rich in contradiction and nostalgic sentimentality. Leo Tover’s Cinemascope cinematography, elegantly reserved and yet aptly illustrative, imbues a lively atmosphere into the film’s famous Pamplona bullfighting scene, and the screenplay retains much of the distinct syntax and rhythm of Hemingway’s printed dialogue.Read More »

  • Henry King – Captain From Castile (1947)

    USA1941-1950AdventureHenry KingRomance

    Quote:
    Spain, 1518: young caballero Pedro De Vargas offends his sadistic neighbor De Silva, who just happens to be an officer of the Inquisition. Forced to flee, Pedro, friend Juan Garcia, and adoring servant girl Catana join Cortez’ first expedition to Mexico. Arriving in the rich new land, Cortez decides to switch from exploration to conquest…with only 500 men. Embroiled in continuous adventures and a romantic interlude, Pedro almost forgets he has a deadly enemy…Read More »

  • Henry Hathaway – Johnny Apollo (1940)

    1931-1940CrimeDramaHenry HathawayUSA

    29f7c043f76a2bde437fd0d52a185152

    The son of a jailed Wall Street broker turns to crime to pay for his father’s release.

    synopsis

    Tyrone Power plays the college-grad son of jailed-embezzler Edward Arnold. Power tries to find work, only to be turned away because of his father’s reputation. When he decides to use a phony name, he is still fired, because his ex-convict boss feels that Power is being unfair to his imprisoned father. If you can’t win for losing in a 1940 film, you turn to crime. Power hires on as the right-hand man of personable but deadly gangster Lloyd Nolan. Arnold, who has become a model convict, is disgusted that his son has turned to crime. He even refuses to have anything to do with his son when Power lands in the slammer himself. Through the intervention of Nolan’s moll Dorothy Lamour, a nightclub singer who has grown to love Power, Arnold realizes that his son is still a good guy underneath. Power proves as much by preventing a climactic jailbreak engineered by the homicidal Nolan.Read More »

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