
Synopsis:
A film critic obsessed with Casablanca (1942) seeks to get over his wife leaving him by dating again with the help of a married couple and his illusory idol, Humphrey Bogart.Read More »

Synopsis:
A film critic obsessed with Casablanca (1942) seeks to get over his wife leaving him by dating again with the help of a married couple and his illusory idol, Humphrey Bogart.Read More »

Quote:
Alvy Singer, a forty year old twice divorced, neurotic, intellectual Jewish New York stand-up comic, reflects on the demise of his latest relationship, to Annie Hall, an insecure, flighty, Midwestern WASP aspiring nightclub singer. Unlike his previous relationships, Alvy believed he may have worked out all the issues in his life through fifteen years of therapy to make this relationship with Annie last, among those issues being not wanting to date any woman that would want to date him, and thus subconsciously pushing those women away. Alvy not only reviews the many ups and many downs of their relationship, but also reviews the many facets of his makeup that led to him starting to date Annie. Those facets include growing up next to Coney Island in Brooklyn, being attracted to the opposite sex for as long as he can remember, and enduring years of Jewish guilt with his constantly arguing parents.Read More »

Quote:
Herbert Ross directed this adaptation of Woody Allen’s hit Broadway play concerning a shy film critic who has trouble with women. Woody Allen plays Allan Felix, a writer for Film Quarterly consumed by movies, particularly his favorite film of all time, Casablanca. At the start of the film, Allan’s wife Nancy (Susan Anspach) has just left him and is applying for a divorce. Unable to deal with this emotional turmoil, Allan seeks solace in the movies he loves, imagining Humphrey Bogart (Jerry Lacy) has dropped by his apartment to offer Allan advice on dealing with the ladies (“Dames are simple. I never met one that didn’t understand a slap in the mouth or a slug from a forty-five”).Read More »