Swedish

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This documentary is the third in a trilogy about a group of Swedish nonconformists. It tells the stories of two young men, Kenta and Stoffe.Read More »

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In the 1950s two films were directed by a woman [in Sweden, the other one being Mimi Pollaks Rätten att älska]. Barbro Boman had worked as a production assistant in the 1940s after which she wrote scripts herself and was also head of Svensk Filmindustri’s script department for a period. She directed two films, of which It’s Never Too Late (Det är aldrig för sent) (1956) was her first. It tells the story of a couple who are planning to divorce. The film is based on flashbacks that recount three generations of women: the main character Görel, her mother and grandmother, and their methods of solving their problems. As a new director, Boman was treated well and the reviewers wished her the best for the future.

Nordic National Cinemas (1998)Read More »

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This scintillating screen version of Mozart’s beloved opera shows Bergman’s deep knowledge of music and his gift for expressing it in filmic terms. Casting some of Europe’s finest soloists—among them Josef Köstlinger, Ulrik Cold, and Håkan Hagegård—the director lovingly recreated the baroque theater of the Drottningholm Palace in Stockholm to stage the story of the prince Tamino (Köstlinger) and his zestful sidekick Papageno (Hagegård), who seek to save a beautiful princess (Irma Urrila) from the clutches of evil. A celebration of love, forgiveness, and the brotherhood of man, The Magic Flute is considered by many to be the most exquisite opera film ever made.Read More »

Short piece by Rut Hillarp (De vita händerna) based on a poem by Karl Vennberg.

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Rut Hillarp has an assured place in Swedish literary postwar modernism thanks both to her collections of poetry and her novels, tinged with erotic imagery and mythological patterns. After some decades of silence as a writer she re-emerged in the 1980s as a poet experimenting with photography and photo montage in combination with her poetry. Read More »

The story about the thief who didn’t get crucified because Jesus was chosen to take his place.

This is the final cut, shown on Swedish TV for the very first time this Easter.Read More »

After failing to arrange a marriage with Elizabeth Tudor of England, king Erik XIV of Sweden needs a wife and children to secure his throne, fast. He falls in love with Karin Månsdotter, a very beautiful young girl, but of lowborn stock. The King’s secretary sees a chance to secure the good opinion of the populace, to act as a counterweight to the rich noblemen who always seek more influence. A marriage is made, but the king is not fully at his wits at a time when it is most needed…Read More »

John Skoog’s feature film debut Season is built up around a number of tales from Kvidinge, the village where he grew up. Some of the are mundane, while others border on the magical. Agricultural leaves a huge imprint on the location – its fields, machines and workers.Read More »

Based on Arata Osada’s book Children of the A-bomb: The Testament of the Boys and Girls of Hiroshima (1959) the film retells the horrors of the Hiroshima bombing through the eyes of children. It mainly consists of illustrations drawn by the children.Read More »

Misshandlingen (1969)
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A young leftist gets in an argument with a man on the street who represents in his mind a typical upper-class person. He ends up in a fight and is charged with assault. The film illustrates how his “treatment” is destructive.Read More »