Sumiko Fuji

Shinji, a popular geisha, falls in love with a small coal mine owner Shimada and fights with him against a cruel rich coal mine owner Osuga, who exploits his workers. A lot of action, romance and swordplay.Read More »

imdb wrote:
Young yakuza Shujiro Hanada (Takakura) goes to prison after losing his cool in a rigged gambling game and slashing a few other players. When he’s released in 1927, the world has changed. His sister died in the Great Kanto Earthquake and his father is also gone. His brother Jukichi (Ikebe) invites him to stay at his in-laws and works in their family pub. Shujiro is trying to go straight. He lies low, helping his blind mother-in-law and slowly developing a relationship with Ikuye, the hostess who helped him before his arrest. But trouble lurks when the resident gang decides to show its strength. It all leads to a showdown between the two brothers and around 20 sword-wielding gangsters.Read More »

Synopsis:
It’s brother against brother and father against son in this all-star yakuza epic. With brilliant performances from Toei’s samurai movie stars in a modern day setting the battles highlight this tale of brutality among Japanese gangster groups. Toei Film Company set the standard for high quality in the yakuza movie genre with this motion picture. Rival gangs vie for control of the prostitution racket leading to an ultra-violent confrontation. This powerful story is not to be missed!Read More »

Third film in the Maruhi series. Focuses on the life of Buddhist nuns during the Edo Period.Junko Fuji in leading role for the first time.Read More »

Quote:
Hishakaku (Koji Tsuruta), a kyakubun (visitor) with the Kokin gang, frees his lover Otoyo (Junko Fuji) from a brothel run by boss Oyokota (Tatsuo Endo), accompanied by Miyagawa (Ken Takakura) and other Kokin gangsters — and consequently brawls with Oyokota’s gang. After killing several of Oyokota’s men, including a former anikibun (elder brother) who has betrayed him, Hishakaku flees, with the police in close pursuit, and takes refuge in a strange house. There, he encounters Kiratsune (Ryutaro Tatsumi), an old man who calmly invites him in, gives him sake, and advises him to give himself up. Struck by the nobility of the old man’s character and the sageness of his advice, Hishakaku does as he says.Read More »

Set in the late 1950s, when geisha culture was threatened by moral crusades, it tells the story of Omacha (Miyamoto Maki), a young girl who sees the geisha life as a way to lift her poverty-stricken family from their hand-to-mouth existence. Through her eyes, we see the protocols and complex financial relationships which dictate the running of the geisha house. Fukasaku’s film is a work of great delicacy with moments of hypnotic beauty, and his tender direction, often touched with a sense of wonder, fills the screen with lovingly constructed scenes. At its heart is the poignant situation of the women who must sacrifice their normal relationships to live an ambiguous life in which they are a key part of society while being kept, for the most part, on its periphery, like perpetual mistresses.Read More »