Spanish

Tin and Tina are not eating the purée tonight.Read More »

Quote:
We will never know if the young university student that one day wakes up surrounded by two men covered in blood, one dead, the other wounded, is the perpetrator. Julia is pregnant with the child of one of them. The maternity ward of a women’s prison is the location in which most of the 113 minutes of Leonera’s plot takes place. Shot in Buenos Aires’ prisons, with the participation of true inmates and guards, the film “maintains some of the codes of prison films, although developed in the context of the relationship between Julia, the mother and her son”, explained Trapero in an interview with BBC Mundo.Read More »

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Completed before his immensely successful Maria Candelaria, Emilio Fernandez’ Flor Sylvestre was released second in the US-and not until two years after its initial Mexican release. Also known as Wildflower, the film features Fernandez himself as a character named Rogellio Torres. The lion’s share of the footage, however, is devoted to the romance between Esperanza (Dolores Del Rio), granddaughter of a common laborer, and Jose Luis Castro (Pedro Armendariz), the firebrand son of a landowner. Joining a revolutionary movements, Castro is disowned by his father, but Esperanza remains loyally by his side. Later on, Castro’s father is killed by outlaws; in seeking vengeance, he sacrifices his own life, while Esperanza carries on his revolutionary work with their young son in tow.Read More »

In 1880, a colonel and his French wife live in a fort in the Patagonian desert. The colonel takes an Amerindian as captive, with the intent to civilize her. A “southern” movie (in opposition to “western”, as it was shot in the deep Argentinean south

Quote:
Dos caras de una misma moneda. Uno viene de lo salvaje hacia la civilización; la otra, desde la civilización hacia la barbarie. Se realiza un cambio de identidad. El guerrero queda impresionado con la civilización romana, y siente que pertenece a aquella. La abuela de Borges quiere rescatar a la india, pero ella la rechaza. Se espanta, no puede creerlo; pero cuando su marido muere, ella se siente identificada. Cuando la india toma la sangre caliente del caballo que acababa de degollar, es cuando termina de demostrar que nunca dejará de ser india, más allá de su lugar de nacimiento.Read More »

allmovie.com review
Filmed in 1947, Emilio Fernandez’ Hidden River (originally Rio Escondido) was distributed in the U.S. three years later. The matchless Maria Felix stars as Rosaura, an idealistic Mexican schoolteacher who does her best to educate the illiterate Indians in her native land. Rosaura is opposed by several authority figures who have no intention of losing their hold over the Indians, but she finds support in the form of a kindly priest. Director Fernandez’ understanding of and sensitivity towards Mexico’s teeming millions of unfortunates enables Hidden River to rise above its occasional cliches and unsubtleties. The cinematography is by Gabriel Figueroa, who like Emilio Fernandez and Maria Felix is a legendary figure in the Mexican cinema.Read More »

Roa has no job and a family to feed. Gaitán, leader of the Colombian Liberal Party, is a man whom he admires greatly. Perhaps Gaitán will have work for him. On the contrary. Gaitán treats him with disdain. A naive, superstitious man, Roa’s disappointment quickly turns to anger and bitterness. Seething with revenge, he begins to plot Gaitán’s assasination. Before he gets too far, however, Roa comes to his senses. Unfortunately, things are no longer under Roa’s control. Too many people are involved and his family begins receiving threatening messages. Roa is damned either way… Read More »

On the Oaxacan coast of Mexico, rumblings of previous times are never far from the surface. Tales of shapeshifting, telepathy and dealings with the Devil are embedded in the colonization and enslavement of the Americas. Characters from the Faust legend mingle with the inhabitants, while attempting to colonize and control nature through a seemingly never-ending building project. Through literature, myth and local entanglements, the frontier between reality and fiction, and the seen and unseen, no longer apply.Read More »

Destino: Estambul 68 is a Spanish-Italian crime film first released in 1967, directed by Miguel Iglesias.Read More »

The indignados movement, known also as 15M, represents a unique phenomenon for our times: a transversal, transnational, transhistorical. It has brought back concepts and ideas that seemed to have been forgotten. This film is a journalistic period piece updated on the years of the international crisis, through the protesters’ voices, slogans, chants, where the only solution to the crumbling Spanish economy seems to be class warfare. – Festival ScopeRead More »